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England and Wales High Court (Chancery Division) Decisions |
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You are here: BAILII >> Databases >> England and Wales High Court (Chancery Division) Decisions >> Tubzee Ltd v Safron Foods Ltd & Ors [2008] EWHC B15 (Ch) (07 October 2008) URL: http://www.bailii.org/ew/cases/EWHC/Ch/2008/B15.html Cite as: [2008] EWHC B15 (Ch) |
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CHANCERY DIVISION
INTELLECTUAL PROPERTY
LEEDS DISTRICT REGISTRY
B e f o r e :
____________________
TUBZEE LIMITED | Claimant | |
AND | ||
(1) SAFRON FOODS LIMITED | ||
(2) TANVIR HUSSAIN | ||
(3) MUDASSAR MAHBOOB | Defendants |
____________________
Crown Copyright ©
1. Introduction
1.1. The "K" before "ulfi"
1.2. The 2 pots
1.3. The swirl
1.4. The cube
2. Representation
3. Witnesses
1. Khalid Mahmood, a director of Tubzee who gave evidence of the history of Tubzee and its trading
2. Jonathan Beech – the graphic designer responsible for the relevant features of Tubzee's get up. [Mr Beech's evidence was accepted by the Defendants and thus he did not attend and was not cross-examined]
3. Jennifer Taylor – Jennifer Taylor bought a Safron Kulfi ice cream on 1st July 2007 believing it to be manufactured by Tubzee. She wrote a letter of complaint on 1st July 2007 to Tubzee. She was unable to attend to give evidence as she was in Sweden. Her evidence was admitted under the Civil Evidence Act 1968.
4. LiaqatAli – LiaqatAli, bought two Safron Kulfi ice lollies at a Texaco service station in Derby on 14th July 2007. He, too, believed them to have been made by Tubzee. He too wrote a letter of complaint on 16th July 2007.
1. Mohammed Khalji - Mohammed Khalji was one of the persons involved in the purchase of the shares in Safron in 2004. He gave evidence of Safron's trading and the circumstances in which the new designs and get up were introduced in 2007.
2. Mudassar Mahboob – Mudassar Mahboob gave evidence of his involvement with Safron and the circumstances in which the new design was adopted
3. Tanvir Hussain. – Tanvir Hussain gave evidence in relation to the same subject matter as Mudassar Mahboob and Mohammed Khalji.
4. The Law
4.1. Passing Off
…may be expressed in terms of the elements which the [claimant] in such an action has to prove in order to succeed. These are three in number. First, he must establish a goodwill or reputation attached to the goods or services which he supplied in the minds of the purchasing public by association with the identifying 'get-up' (whether it consists simply of a brand name or a trade description, or the individual features of labelling or packaging) under which his particular goods or services are offered to the public, such that the get-up is recognised by the public as distinctive specifically as the [claimant's] goods or services. Second, he must demonstrate a misrepresentation by the defendant to the public (whether or not intentional) leading or likely to lead the public to believe that goods or services offered by him are the goods or services of the [claimant]. Whether the public is aware of the [claimant's] identity as the manufacturer or supplier of the goods or services in immaterial, as long as they are identified with a particular source which is in fact the [claimant]. For example, if the public is accustomed to rely on a particular brand name in purchasing goods of a particular description, it matters not at all that there is little or no public awareness of the identity of the proprietor of the brand name. Thirdly, he must demonstrate that he suffers or, in a quia timet action, that he is likely to suffer damage by reason of the erroneous belief engendered by the defendant's misrepresentation that the source of the defendant's goods or services is the same as the source of those offered by the [claimant]."
"I cannot escape the conclusion that, while aiming to avoid what the law would characterise as deception, [the defendant is] taking a conscious decision to live dangerously. That is not in my judgment something that the court is bound to disregard."
4.2. Trade Mark Infringement
2) A person infringes a registered trade mark if he uses in the course of trade a sign where because—
(a) …
(b) the sign is similar to the trade mark and is used in relation to goods or services identical with or similar to those for which the trade mark is registered,
there exists a likelihood of confusion on the part of the public, which includes the likelihood of association with the trade mark.
a) the likelihood of confusion must be appreciated globally, taking account of all relevant factors (Sabel at paragraph 22);
b) the matter must be judged through the eyes of the average consumer of the goods in question who is deemed to be reasonably well informed and reasonably circumspect and observant- but who rarely has the chance to make direct comparisons between marks and must instead rely upon the imperfect recollection he has in his mind (Sabel at paragraph 23 and Lloyd at paragraph 27);
c) the average consumer normally perceives a mark as a whole and does not proceed to analyse its various details (Sabel at paragraph 23);
d) the visual, aural and conceptual similarities of the mark must therefore be assessed by reference to the overall impressions created by the marks bearing in mind their distinctive components (Sabel at paragraph 23);
e) a lesser degree of similarity between the marks may be set off by a greater degree of similarity between the goods and vice versa (Canon at paragraph 17);
f) there is a greater likelihood of confusion where the earlier trade mark has a highly distinctive character because of the use made of it or per se (Sabel at paragraph 24);
g) if the mere association between the marks causes the public to wrongly believe that the respective goods come from the same or economically linked undertakings, there is a likelihood of confusion within the meaning of the section (Canon at paragraph 29).
5. The Facts
5.1. Tubzee
5.2. Trade Marks
5.3. Tubzee's get up
5.4. Use of the get-up and goodwill
5.5. Safron
1. Mudassar Mahboob was appointed a Director on 23rd April 2005. He is shown as a Director in the annual return that was filed on 15th January 2007. He also signed as a Director a number of Form 288b's on 27th March 2006 for submission to Companies House in relation to the resignation of 4 of his co-directors. In August 2006 he signed as a Director the accounts for the year ending 30th November 2005. However on 8th January 2008 there was filed at Companies House a Form 288b which indicated that he resigned as a Director on 6th March 2006.
2. Tanvir Hussain was also appointed a Director on 23rd April 2005. He is also shown as a Director in the annual return filed on 15th January 2007. However on 8th January 2008 there was filed at Companies House a form 288b indicating that he, too, resigned as a Director on 6th March 2006. The searches also reveal that Tanvir Hussain is shown as Secretary from 23rd April 2005 to 31st October 2005.
5.6. Safron's trading
5.7. Safron's get-up
5.8. Safron's change of get up
1. A letter from Jane Cullinane (the Business Development Manager of Fantastic Media) dated 1/11/2006 to Mudassar Mahboob
2. A client purchase signed by Mudassar Mahboob on 3/11/2006
3. A project implementation plan
4. An e-mail dated 16/11/2006 from an employee of Fantastic Media to Tanvir Hussain.
It is my understanding that [Safron] requires Fantastic Media to produce one new design style for Safron current ice cream packaging to be used across all four of the Safron [range]
…Fantastic Media will produce and present you with 3 conceptual designs for the new packaging and from these we will provide you with one design you can send to the packaging company …
We understand that the current cartoon character on the existing packaging needs to go and is not to be replaced. The brief is an open design and the current Safron logo is to remain as it is.…
The design is now circular and features images relating to the flavour of the ice cream. I've also included the traditional pots/jugs pouring cream into the ice-cream 'swirl'.
Mohammed Khalji's evidence
Tanvir Hussain's evidence
Mudassar Mahboob's evidence
5.9 Features of the new design.
The "K" of Kulfi
1. In all of the Tubzee products the "K" appears under a crown, whereas the Safron "K" appears under the yellow Safron logo.
2. The font of the "K" is different. Safron use what they describe as a distinctive purple font whereas Tubzee use a blue font.
3. The Safron "K" uses an italic angled font as opposed to the straight font of the Tubzee "K". The Tubzee "K" is wider or chunkier than the thin Safron "K".
4. Whilst it is true that the Safron "K" has a dropped tail it does not pass under all the letters of "ulfi". The font used by Safron is such that the "f" crosses the dropped tail of the "K".
The matka pots
1. Tubzee's get up shows the liquid being poured over ice whereas Safron's shows it being poured into the swirl. The ice in Safron's get up is in a different place.
2. Although both of the pots are brown the 2 colours are different and the detailed design of the pots is different.
The swirl
5.10. Evidence of confusion
Jennifer Taylor
Liaqat Ali
5.11. Pre-trial correspondence
5.12. The proceedings
6. Findings of Fact
6.1. The evidence of the Defendants
1. Safron have failed to call any evidence from Fantastic Media or to disclose all of the documents or designs that must be in Fantastic Media's possession.
2. It is also clear that I have not seen all the e-mails that have passed between the quasi partners.
3. On any view Tubzee and Safron were serious trade rivals selling to the same market in the same town. It is inevitable that all of the Safron partners/directors would have known the Tubzee product and its get up. They would have known in particular that the "K" had a long dropped tail extending under the letters "ulfi" and the 2 matka pots with a white liquid pouring down vertically. It is to my mind too much of a coincidence to accept that in adopting a K with a dropped tail and the 2 matka pots with white liquid falling vertically down they were not aware that they were adopting features contained in Tubzee's get up.
4. The evidence of Mudassar Mahboob and Tanvir Hussain over their resignation as Directors is unsatisfactory and inconsistent with the documents referred to. I agree it casts a question mark over their credibility
6.2. The evidence of Liaqat Ali and Jennifer Taylor.
7. Liability
7.1. Infringement of Trade Marks
1. I have to consider the matter globally. Thus the fact that there are differences between Safron's "K" and Tubzee's "K", and Safron's matka pots and Tubzee's matka pots is by no means conclusive. The matter has to be looked at globally taking account of all relevant circumstances including my finding that Safron decided to live dangerously.
2. I have to look at the matter through the eyes of the average consumer of ice cream. I assume he or she is reasonably well informed, reasonably observant and circumspect but who did not have the opportunity to make a direct comparison between Tubzee's marks and Safron's get up and has to rely on "imperfect recollection". In this connection it seems to me I can attach considerable weight to the evidence of Jennifer Taylor and Liaqat Ali. It is true that Liaqat Ali did not examine the freezer closely before he selected his Kulfi lolly. On the other hand he did recollect the Tubzee "K" and the matka pots. One of the points raised by Khalid Mahmood is that a significant part of the market is the older Asian market who do not have good literary skills in English. Thus the concept of the matka pots is more important than the Safron logo in Safron's get up.
3. There are considerable conceptual similarities between the 2 "K"s and the 2 matka pots. The concept of the dropped tail of the "K" is identical. Similarly the concept of the matka pots in Safron's get up is exactly the same as that of Tubzee. The matka pots give the idea of something from India or Pakistan and the liquid falling vertically gives the idea or concept of the use of milk. There is a difference in that Tubzee's liquid falls on ice whereas Safron's falls on the swirl. To my mind the concepts are very similar.
4. The goods sold by Tubzee and Safron are identical and thus a lesser degree of similarity between the marks can give rise to a risk of confusion. Furthermore the dropped tail of Tubzee's "K" is to my mind a distinctive feature which has been used by Tubzee since 2000.
7.2 Passing off
7.3 Personal Liability of Mudassar Mahboob and Tanvir Hussain
JOHN BEHRENS
Tuesday 7 October 2008
Note 1 See Sabel BV v Puma AG [1998] ETMR 1, Canon Kabushiki Kaisha v metro-Goldwyn-Mayer Inc[1999] ETMR 1, Lloyd Schuhfabrik Meyer & Co. GmbH v Klijsen Handel B.V. [2000] F.S.R. and Marca Mode CV v Adidas AG [2000] ETMR 723 [Back] Note 2 See the discussion in paragraphs 5-76 to 5-80 of Clerk & Lindsell on Torts – 19th Edition. [Back]