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England and Wales High Court (Chancery Division) Decisions |
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You are here: BAILII >> Databases >> England and Wales High Court (Chancery Division) Decisions >> Original Beauty Technology Co. Ltd & Ors v G4K Fashion Ltd & Ors [2021] EWHC 3439 (Ch) (20 December 2021) URL: http://www.bailii.org/ew/cases/EWHC/Ch/2021/3439.html Cite as: [2021] EWHC 3439 (Ch) |
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Neutral Citation Number: [2021] EWHC 3439 (Ch)
Case No.IL-2018-000105
IN THE HIGH COURT OF JUSTICE
BUSINESS AND PROPERTY COURTS OF ENGLAND AND WALES
INTELLECTUAL PROPERTY LIST (ChD)
Royal Courts of Justice, Rolls Building
Fetter Lane, London, EC4A 1NL
Date: 20 December 2021
Before:
DAVID STONE
(sitting as a Deputy Judge of the High Court)
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Between:
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(1) ORIGINAL BEAUTY TECHNOLOGY COMPANY LIMITED (2) LINHOPE INTERNATIONAL LIMITED (3) RETAIL INC LIMITED (in liquidation)
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Claimants |
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- and - |
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(2) CLAIRE LORRAINE HENDERSON (3) MICHAEL JOHN BRANNEY (4) OH POLLY LIMITED
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Defendants |
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Ms Anna Edwards Stuart and Mr David Ivison
(instructed by Mono Law Limited) for the Claimants
Mr Chris Aikens (instructed by Fieldfisher) for the Defendants
Hearing dates: 25, 26, 27 and 29 October 2021
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Approved Judgment
Covid-19 Protocol: This judgment is to be handed down by the deputy judge remotely by circulation to the parties’ representatives by email and release to BAILII. The date for hand-down is deemed to be 20 December 2021.
DAVID STONE (sitting as a Deputy Judge of the High Court):
(a) their lost profits on garments which, but for the Defendants’ sales, would have been made by the Claimants;
(b) a reasonable royalty on the Defendants’ sales not covered by (a) above; and
(c) additional damages pursuant to my earlier finding that the Defendants’ infringement was flagrant.
Background
Fact Witnesses
Joanna Richards
“We refer to your second letter dated 12 October 2021, wherein you state that “the issue of which factory makes which garments is utterly irrelevant to any issue still in dispute in these proceedings”.
For the avoidance of doubt our clients reject this proposition. We hereby put you on notice that at trial we will be asking Mr Waters and/or Ms Richards where each of the garments were manufactured and about the relationship between the factory (or factories) and the Claimants. It appears from their evidence that they already know of such matters, but if they do not, we ask that they have that information available to them at trial.”
David Waters
Michael Branney
Cessation of Sales
“However, the latest Infringing Garment in time was first offered for sale on 25 June 2018, which is only 10 days after the claim form and particulars of claim were sent to the registered address of the First to Third Defendants. By the time of the service of the original Defence in January 2019, the Defendants had stopped selling 66 of the 87 garments then complained about.”
(a) the Amended Defence was wrong (because sales had in fact recommenced); and
(b) his Island Records affidavit and third and fourth witness statements were wrong (because they did not include all the Defendants’ sales of infringing garments).
“8. I have previously provided evidence on the number of units sold, the gross profits per item and estimated net profits per item for the designs referred to in these proceedings as D2, D4, D12, D13, D35, D61, D85, D87 and D91 in my affidavit of 2 May 2021 [his Island Records affidavit]. I have also provided evidence on the number of units sold and the gross profits per item for the designs referred to in these proceedings as garments D1, D6, D15, D27, D41, D48, D54 and D57 in my third and fourth witness statements, dated 22 July 2021 and 18 August 2021 respectively. The methodologies used at the time to calculate these figures can also be found in the respective affidavit and witness statements.
9. The Defendants were directed by the Order of the Deputy Judge dated 30 July 2021 to use our best endeavours in the time available to ensure that the figures provided for gross profits (with respect to garments D1, D6, D15, D27, D41, D48, D54 and D57) were as accurate as possible. I complied with the 30 July 2021 Order to produce figures to the best accuracy possible in the time provided. However, I am now in a position to state various financial figures with greater certainty.”
“The Program has allowed me to record (in the Spreadsheet) the number of units sold, gross profit per item and net profit per item for each of the Infringing Garments with greater confidence than previously possible.”
“As soon as [Dr] Branney realised the [Island Records] affidavit contained incorrect figures, he corrected them by serving his 5th statement which referred to the accurate numbers in the spreadsheet provided under cover of CEA Notice.”
“However, I consider Dr Branney’s failing here to be maladroit, rather than malevolent. He had not designed the garments in issue - Ms Henderson had. He was working from documents and from Ms Henderson’s explanations. He ought to have been more careful before signing the statement of truth, but I do not consider that this means I should discount his evidence completely. Counsel for the Claimants described Dr Branney’s evidence as that “of a person willing to say whatever needed to be said to achieve his objective.” Having watched him give evidence, I consider that Dr Branney was an active advocate for the Defendants. I have therefore approached his evidence with caution, but I reject counsel for the Claimants’ submission that I should dismiss it altogether.”
“Further, by the time of the service of the original Defence in January 2019, [the Defendants] had stopped selling 66 of the 87 garments then complained about. That is not the behaviour of a cynical infringer with no regard for the law that should be punished out of all proportion to the scale of the infringements.”
“Q: It is right, is it not, Dr Branney, that in the course of this litigation, the Defendants have stated that they have stopped selling some of the garments even though they did not accept that those garments were infringing the Claimants’ rights; correct?
A: That is correct, my Lord.
…
Q: …this is paragraph 19G we have just been looking at. What you are saying here is that it is not entirely fair for the Claimants to say that the Defendants did not cease copying their designs until after these proceedings were launched because in fact, you say, the last infringing garment in time was only launched shortly after the claim was issued; correct?
A: That is correct.
Q: That by the time the original Defence was served you had in fact stopped selling 66 of the 87 infringing garments then in issue; correct?
A: My Lord, that is correct.”
“I have had the opportunity to review the transcripts from my cross-examination (which were provided to me by Fieldfisher) and I wish to clarify what exactly I meant in response to some of the questions that were put to me”.
The Defendants’ Legal Advisors
“With the benefit of hindsight, my firm should have appreciated that the later sales meant that paragraph 76 of the Original Defence was wrong, we should have brought this to the attention of the Claimants promptly and we should not have included the last sentence of paragraph 19G of the Amended Defence to the Points of Claim.”
“It would also have been appropriate to flag prominently in correspondence and/or in Dr Branney’s witness evidence that it had become apparent that the sales information previously given, in the belief it was true, was incorrect. Although the correct figures were indeed provided before trial, I accept that a prominent correction would have been appropriate together with a clear explanation for how the wrong figures were provided in the Affidavit (albeit innocently)”.
Expert Witnesses
Matthew Geale
David Dearman
“In this section of my report I have been asked to give my opinion on what the Claimants and the Defendants would have agreed as a reasonable royalty on sales of Infringing Garments in circumstances where the Defendants had sought a licence from the Claimants to use the Infringed Designs prior to the acts of infringement and where the parties were willing licensors and licensees respectively”.
“I must explain why I think the attempt to approximate real people to the notional [person] is not helpful. It is to do with the function of expert witnesses in patent actions. Their primary function is to educate the court in the technology - they come as teachers, as makers of the mantle for the court to don. For that purpose it does not matter whether they do not approximate to the skilled [addressee]. What matters is how good they are at explaining things.”
Additional Factual Background
(a) “The First Claimant, through its then solicitors, first wrote to the First and Third Defendants on 19 April 2016, alleging passing off, and that eight Oh Polly garments (sold in various colourways) infringed its UKUDR and CUDR.” (Main Judgment, paragraph 4).
(b) “It was common ground that Ms Henderson cannot draw. She also cannot use any of the available computer assisted design programs. Her evidence was that she designed by looking at trends from images she had collected in her Dropbox, designed the details of each garment in her head, and then looked for images of existing garments which she could use to show the factory what it was she wanted made. There are no documents which (and no other witnesses who) back up this aspect of her account of her design process.” (Main Judgment, paragraph 53).
(c) “I consider [Ms Henderson’s] version of her design process to be a fabrication, concocted to get around the very real difficulty that Ms Henderson took images of the Claimants’ garments (and third party garments) and sent them to the factory to be made up. I therefore, regrettably, accept counsel for the Claimants’ submission that Ms Henderson’s evidence cannot be trusted. In my judgment, she set out to deceive the Claimants and the Court in relation to her overall design process, and the design of the particular garments before me. In her oral testimony, she gave whatever answer she felt best at that moment to assist her case. That criticism also extends to her written testimony.” (Main Judgment paragraphs 54 and 55).
(d) “In 2015, Ms Henderson and Dr Branney decided to set up their own business. They adopted the name Oh Polly for that business, and launched a website at www.ohpolly.com in August 2015. The Fourth Defendant took over the business in June 2017. Ms Henderson’s evidence was that at the start of the Oh Polly business, she designed all the garments sold by the business, designing 40 to 50 garments per month. Ms Johnston joined Oh Polly as a designer in 2017. Oh Polly garments are made in factories in Bangladesh and China.” (Main Judgment, paragraph 76).
(e) “By way of example only, take D2. Ms Henderson found a picture of C2 on social media and took a screen shot. That screen shot was uploaded to Trello [the Defendants’ garment design and manufacturing records system] for the Defendants’ manufacturer to work from. There were no other drawings, patterns or plans. There was a third party garment also shown on the Trello records, but, as I have said, copying more than one design is still copying.” (Main Judgment, paragraph 115).
(f) “…it is clear that some aspects of a garment will strike the informed user as more important. In this case, all the dresses were primarily photographed from the front: whilst photographs of the back aspect were included on both sides’ websites, they were not the primary image. From that, I take it that the front of each garment will be of primary importance to the informed user in most cases. Differences on the back of the garment will still be noticed, but they will not be given the importance of the front of the garment.” (Main Judgment, paragraph 131).
(g) “I also need to say something about fabrics. The Oh Polly business is entirely online. Whilst the House of CB business does have some bricks and mortar stores, the bulk of its business is also online. That means that the majority of purchasing decisions are being made based on the images of the garments shown on the websites. Of course, the evidence also demonstrated that something like 30% of online sales are returned. Consumers will return a garment they have purchased on-line if, for example, they do not like the texture or fit. But 70% of sales were not returned, from which I conclude that the experience of the garment on receipt matched the expectation from viewing the garment on the website. It seems to me that what matters is what the dress looks like when worn. Thus, where the images with which I have been provided (which were taken from the parties’ websites) show very similar looking dresses, it will matter less to the informed user that, on a hanger, the dresses do not look as similar.” (Main Judgment, paragraph 132).
(h) “Of Ms Henderson’s 17 “designs”, I have found that 7 of the 9 in which the Claimants’ designs were “referenced” were, at law, copied. In every case in which the Claimants’ designs were not referenced, third party designs were. There is no reliable evidence before me that Ms Henderson ever created mood boards, digital or otherwise. What she did was identify third party designs that she liked, and send images of them to the factory to be copied.” (Main Judgment, paragraph 390).
(i) “Both the Claimants and the Defendants operate an internet business selling celebrity-inspired fashion. Both use social media heavily. Both generate publicity from third parties wearing their garments (including influencers and celebrities). Neither does much or any traditional hard copy advertising (magazines, bill-boards etc), although others in the industry (such as BooHoo) do. Both the Claimants and the Defendants focus on figure-hugging bandage and bodycon dresses designed for a curvy figure. Both sell dresses for younger women to wear on a night out. These similarities were not contested: the parties are competitors, operating very similar businesses.” (Main Judgment, paragraph 426).
(j) “I accept Counsel for the Claimants’ submission that the designs of the parties’ garments is an important aspect of the distinctiveness of their brands - it is something each relies on for the “lifestyle” (or brand) to which I have referred above.” (Main Judgment, paragraph 428).
(k) “The Claimants also relied on public recognition of the frequent similarity of Oh Polly designs to House of CB designs, including the following social media posts:
“Girl I got a dress from Oh Polly for $63 that was $180 on House of CB…”
“Seeing as OhPolly copy all of HouseOfCb designs, are their clothes good quality?”
“Wish @ohpoly would put as much effort into makin their website work properly as it didn’t take people’s money & cancel orders, as it did into copying designs from House of CB”
“Oh Polly … just COMPLETELY copy House of CB designs…”
“Oh Polly just rip off House of CB designs…”
“Oh Polly fully copying House of CB designs”
Whether or not the above examples indicate confusion, they do indicate the consumers’ views that the garments were similar, and that the House of CB garments were perceived as being first in time.” (Main Judgment, paragraphs 431 and 432).
(l) “…as counsel for the Claimants submitted, and I accept, the Defendants did not seek to argue that the garments before me were not representative of the two businesses overall.” (Main Judgment, paragraph 433).
(m) “In relation to the 20 garments in issue before me, I have found that 7 of the Defendants’ garments infringe the Claimants’ unregistered design rights. The corollary of that is that the other 13 garments do not infringe. Be that as it may, there is clear evidence of a public perception, at least among some social media posts, that Oh Polly has copied House of CB’s garments, in the context where the parties are agreed that the two businesses operate in the same market, in similar ways.” (Main Judgment, paragraph 434).
(n) “There was evidence before me of Oh Polly garments being wrongly returned to House of CB, and vice versa. … In other cases, it was clear that the purchaser had purchased both House of CB and Oh Polly garments at the same time, and got in a muddle.” (Main Judgment, paragraph 483).
(o) “There was in the evidence and in some of the earlier submissions and questioning a suggestion that House of CB garments were targeted at a different market to Oh Polly garments. In his written closing submissions, counsel for the Defendant acknowledged that Oh Polly considers House of CB to be its biggest competitor, and that both brands sell garments to “fashion-conscious young women in the UK who are looking to buy sexy clothing online and, in particular, dresses for a night out”. He also acknowledged that their customer bases overlap. This position is consistent with the evidence that consumers buy from both brands.” (Main Judgment, paragraphs 486 and 487).
(p) “Therefore, in my judgment, the only conclusion open to me is that Ms Henderson set out to emulate House of CB, and directed Oh Polly staff to hire the same models, rent the same locations, adopt similar hair and makeup, adopt similar flatlays, follow the House of CB packaging from bright pink to softer pink, adopt a similar website etc. She herself copied some House of CB garments, as I have found above, albeit that she also copied garments of other designers as well.” (Main Judgment, paragraph 491).
(q) “I have found that the Defendants have infringed the Claimants’ UKUDR and CUDR in relation to 7 garments. Whilst Ms Henderson, the named designer of the relevant garments, has denied copying, I have held her not to be an honest witness, and I have discounted her evidence unless it is corroborated by other evidence. What is clear from the written record is that for the Defendants’ garments D2, D4, D12, D13, D35, D61 and D91, Ms Henderson took an image of the Claimants’ garments, and sent it to the factory to be reproduced. In the circumstances of this case, that is sufficient to warrant an award of additional damages in relation to those designs. It was at least an attitude of “couldn’t care less” about the rights of others: a designer, as Ms Henderson claimed to be, of her years of experience ought to have known (if she did not in fact know) that such activity was not lawful. In reaching that conclusion, I do not need to rely on the Claimants’ submissions in relation to the alleged scale of infringement, the alleged concerted efforts to emulate the House of CB business or the allegedly misleading positions taken by the Defendants in this litigation. I do, however, take into account the Claimants’ final submission on this point, which was that the Defendants have been on notice of the Claimants’ concerns since 2016. Rather than choose to stop “referencing” the Claimants’ designs, the Defendants continued, even after these proceedings were launched.” (Main Judgment, paragraphs 509 and 510).
Standard Damages
The Law on Standard Damages
“(i) Damages are compensatory. The general rule is that the measure of damages is to be, as far as possible, that sum of money that will put the claimant in the same position as he would have been in if he had not sustained the wrong.
(ii) The claimant can recover loss which was (i) foreseeable; (ii) caused by the wrong; and (iii) not excluded from recovery by public or social policy. It is not enough that the loss would not have occurred but for the tort. The tort must be, as a matter of common sense, a cause of the loss.
(iii) The burden of proof rests on the claimant. Damages are to be assessed liberally. But the object is to compensate the claimant and not to punish the defendant.
(iv) It is irrelevant to a claim of loss of profit that the defendant could have competed lawfully.
(v) Where a claimant has exploited his patent by manufacture and sale he can claim (a) lost profit on sales by the defendant that he would have made otherwise; (b) lost profit on his own sales to the extent that he was forced by the infringement to reduce his own price; and (c) a reasonable royalty on sales by the defendant which he would not have made.
(vi) As to lost sales, the court should form a general view as to what proportion of the defendant’s sales the claimant would have made.
(vii) The assessment of damages for lost profits should take into account the fact that the lost sales are of “extra production” and that only certain specific extra costs (marginal costs) have been incurred in making the additional sales. Nevertheless, in practice costs go up and so it may be appropriate to temper the approach somewhat in making the assessment.
(viii) The reasonable royalty is to be assessed as the royalty that a willing licensor and a willing licensee would have agreed. Where there are truly comparable licences in the relevant field these are the most useful guidance for the court as to the reasonable royalty. Another approach is the profits available approach. This involves an assessment of the profits that would be available to the licensee, absent a licence, and apportioning them between the licensor and the licensee.
(ix) Where damages are difficult to assess with precision, the court should make the best estimate it can, having regard to all the circumstances of the case and dealing with the matter broadly, with common sense and fairness.”
“(6) An inquiry will generally require the court to make an assessment of what would have happened had the tort not been committed and to compare that with what actually happened. It may also require the court to make a comparison between, on the one hand, future events that would have been expected to occur had the tort not been committed and, on the other hand, events that are expected to occur, the tort having been committed. Not much in the way of accuracy is to be expected bearing in mind all the uncertainties of quantification. See Gerber v Lectra at first instance [1995] RPC 383, per Jacob J, at 395-396.
(7) Where the claimant has to prove a causal link between an act done by the defendant and the loss sustained by the claimant, the court must determine such causation on the balance of probabilities. If on balance the act caused the loss, the claimant is entitled to be compensated in full for the loss. It is irrelevant whether the court thinks that the balance only just tips in favour of the claimant or that the causation claimed is overwhelmingly likely, see Allied Maples Group v Simmons & Simmons [1995] WLR 1602, at 1609-1610.
(8) Where quantification of the claimant’s loss depends on future uncertain events, such questions are decided not on the balance of probability but on the court’s assessment, often expressed in percentage terms, of the loss eventuating. This may depend in part on the hypothetical acts of a third party, see Allied Maples at 1610.
(9) Where the claim for past loss depends on the hypothetical act of a third party, i.e. the claimant’s case is that if the tort had not been committed the third party would have acted to the benefit of the claimant (or would have prevented a loss) in some way, the claimant need only show that he had a substantial chance, rather than a speculative one, of enjoying the benefit conferred by the third party. Once past this hurdle, the likelihood that the benefit or opportunity would have occurred is relevant only to the quantification of damages. See Allied Maples at 1611-1614.”
(a) First, on the balance of probabilities, have the Claimants suffered some loss under the head claimed? If the answer is “no”, then the inquiry stops there. If the answer is “yes”, then the inquiry moves to the next stage.
(b) Second, on the basis of the available evidence, how much loss has been sustained?
“The claimant has first to establish an actionable head of loss. This may in some circumstances consist of the loss of a chance, for example, Chaplin v Hicks [1911] 2 KB 786 and Allied Maples Group Limited v Simmons & Simmons [1995] 1 WLR 1602, but we are not concerned with that situation in the present case, because the judge found that, but for Mr Bomford’s fraud, on a balance of probability Tangent would have traded profitably at stage 1, and would have traded more profitably with a larger fund at stage 2. The next task is to quantify the loss. Where that involves a hypothetical exercise, the court does not apply the same balance of probability approach as it would to the proof of past facts. Rather, it estimates the loss by making the best attempt it can to evaluate the chances, great or small (unless those chances amount to no more than remote speculation), taking all significant factors into account. (See Davis v Taylor [1974] AC 207, 212 (Lord Reid) and Gregg v Scott [2005] 2 AC 176, para 17 (Lord Nicholls) and paras 67-69 (Lord Hoffmann)).”
“The ultimate process is one of judicial estimation of the available indications.”
“In short one cannot expect much in the way of accuracy when the court is asked to re-write history.”
“18. In Force India Formula One Team Limited v 1 Malaysia Racing Team Sdn Bhd [2012] EWHC 616 (Ch); [2012] RPC 29 Arnold J considered Wrotham Park damages, i.e. of the type awarded in Wrotham Park Estate Co Ltd v Parkside Homes Ltd [1974] 1 WLR 798. In Force India damages for breach of a restrictive covenant in a contract were taken to be the amount of money which could reasonably have been demanded by the claimant for a relaxation of the covenant. Arnold J identified the following principles (at [386]):
“(i) The overriding principle is that the damages are compensatory: see Attorney-General v Blake at 298 (Lord Hobhouse of Woodborough, dissenting but not on this point), Hendrix v PPX at [26] (Mance LJ, as he then was) and WWF v World Wrestling at [56] (Chadwick LJ).
(ii) The primary basis for the assessment is to consider what sum would have [been] arrived at in negotiations between the parties, had each been making reasonable use of their respective bargaining positions, bearing in mind the information available to the parties and the commercial context at the time that notional negotiation should have taken place: see PPX v Hendrix at [45], WWF v World Wrestling at [55], Lunn v Liverpool at [25] and Pell v Bow at [48]–[49], [51] (Lord Walker of Gestingthorpe).
(iii) The fact that one or both parties would not in practice have agreed to make a deal is irrelevant: see Pell v Bow at [49].
(iv) As a general rule, the assessment is to be made as at the date of the breach: see Lunn Poly at [29] and Pell v Bow at [50].
(v) Where there has been nothing like an actual negotiation between the parties, it is reasonable for the court to look at the eventual outcome and to consider whether or not that is a useful guide to what the parties would have thought at the time of their hypothetical bargain: see Pell v Bow at [51].
(vi) The court can take into account other relevant factors, and in particular delay on the part of the claimant in asserting its rights: see Pell v Bow at [54]”.
The Court of Appeal in Force India ([2013] EWCA Civ 780; [2013] RPC 36) did not dissent from Arnold J’s summary of the law (at [97]).
19. Wrotham Park damages, though they are for breach of contract, are in all relevant respects the same as those I have to consider under this head, so the foregoing principles set out by Arnold J apply. In the inquiry as to damages for infringement of trade marks in 32Red OKC v WHG (International) Limited & ors [2013] EWHC 815 (Ch), Newey J’s assessment was by consent also on the basis of willing licensor and willing licensee. Newey J endorsed the principles identified by Arnold J and expanded on them as follows:
"(vii) There are limits to the extent to which the court will have regard to the parties’ actual attributes when assessing user principle damages. In particular
(a) the parties’ financial circumstances are not material;
(b) character traits, such as whether one or other party is easygoing or aggressive, are to be disregarded [29]-[31].
(viii) In contrast, the court must have regard to the circumstances in which the parties were placed at the time of the hypothetical negotiation. The task of the court is to establish the value of the wrongful use to the defendant, not a hypothetical person. The hypothetical negotiation is between the actual parties, assumed to bargain with their respective strengths and weaknesses [32]-[33].
(ix) If the defendant, at the time of the hypothetical negotiation, would have had available a non-infringing course of action, this is a matter which the parties can be expected to have taken into account [34]-[42].
(x) Such an alternative need not have had all the advantages or other attributes of the infringing course of action for it to be relevant to the hypothetical negotiation [42].
(xi) The hypothetical licence relates solely to the right infringed [47]-[50].
(xii) The hypothetical licence is for the period of the defendant’s infringement [51]-[52].
(xiii) Matters such as whether the hypothetical licence is exclusive or whether it would contain quality control provisions will depend on the facts and must accord with the realities of the circumstances under which the parties were hypothetically negotiating [56]-[58].”
“In relation to fixing the royalty for a licence of right, Dillon LJ said in Allen & Hanburys Ltd’s (Salbutamol) Patent [1987] RPC 327 that the position of the patentee as manufacturer is not to be taken into account (at 378-379). Fox LJ agreed, though Woolf LJ dissented (at 384-386). Moreover Dillon LJ (with both of the other members of the court) was of the view that the royalty need not be such that the licensee would find it commercially worthwhile to sell.
Mr. Floyd submitted that there may be a conflict here between the reasonable royalty for damages and the royalty which might be fixed by the Comptroller. In particular he suggested that when I came to fix the appropriate rate of royalty I should take into account the position of Gerber as manufacturer.
I do not agree. One is here considering a notional bargain about sales the patentee would not make. Whether one considers that in advance of the infringement or after seems to me to make no difference (Mr Floyd suggested it did). I do not see why the patentee could reasonably insist on his lost profits on transactions he would not have made.
…
7. Royalties on Sales Gerber would not have made
I have held that there would have been 11 of these. To these should, it is agreed, be added the 2 Irish sales. Gerber are entitled to a reasonable royalty. This is really a court-imposed notional bargain. I have held that Gerber’s lost profits would be irrelevant - because the negotiation does not cover lost Gerber sales.
…
As to how the “available profits” were to be split, absent the extra profits from spares etc. it was agreed that the split would be 25% to the patentee. Gerber’s expert suggested that this ought to be doubled because the licensee would be competing, leading to a royalty of 50% of the licensee’s sales revenue. As I have indicated I think this wrong - we are here talking about the non-competing sales.”
“The circumstances of the parties and any actual negotiations
As explained above, the hypothetical negotiation is conducted as an objective exercise between persons who are assumed to act reasonably. Hence, the court must ignore personal characteristics such as the easygoing nature of one party or the aggressive approach of another. Courts also treat as a personal characteristic the financial position of the parties. Hence, an impoverished defendant cannot avoid an assessment of a significant licence fee on the basis that they would not be able to pay a licence fee that is more than that for which a claimant could reasonably have demanded simply because the defendant might have the resources and willingness to pay a larger amount.”
“My Lords, this passage is, in my opinion, unsupportable in law or in fact. In law it rests upon the hypothesis that what has to be considered, in measuring the loss a patentee sustains through an infringement, is some bargain struck between some abstract licensor and some abstract licensee uncontaminated by the qualities of the actual actors. But that is not so. The ‘willing licensor’ and ‘willing licensee’ to which reference is often made (and I do not object to it so long as we do not import analogies from other fields) is always the actual licensor and the actual licensee who, one assumes, are willing to negotiate with the other - they bargain as they are, with their strengths and weaknesses, in the market as it exists.”
“28. Accordingly, although I see the force of what Mr Mann said in paragraph 13 of his judgment, it should not in my opinion be treated as being generally applicable to events after the date of breach where the court decides to award damages in lieu on a negotiating basis as at the date of breach. After all, once the court has decided on a particular valuation date for assessing negotiating damages, consistency, fairness, and principle can be said to suggest that a judge should be careful before agreeing that a factor which existed at that date should be ignored, or that a factor which occurred after that date should be taken into account, as affecting the negotiating stance of the parties when deciding the figure at which they would arrive.
29. In my view, the proper analysis is as follows. Given that negotiating damages under the Act are meant to be compensatory, and are normally to be assessed or valued at the date of breach, principle and consistency indicate that post-valuation events are normally irrelevant. However, given the quasi-equitable nature of such damages, the judge may, where there are good reasons, direct a departure from the norm, either by selecting a different valuation date or by directing that a specific post-valuation-date event be taken into account.”
“51. In a case (such as Wrotham Park itself) where there has been nothing like an actual negotiation between the parties it is no doubt reasonable for the court to look at the eventual outcome and to consider whether or not that is a useful guide to what the parties would have thought at the time of their hypothetical bargain.”
“This is the reason why the actual profit made from an infringement or the actual use made from the tort are irrelevant.”
Lost Profit Damages
“Lost profit = number of lost sales of the Infringing Garment (Lost Sales) x total per-unit profit for the Claimants’ garments incorporating the respective Infringed Design (Per Unit Profit)
Lost Sales = total number of Defendants’ sales of Infringing Garment x P
where 0 < P ≤ 1, representing the probability that a sale in fact made by the Defendants of an Infringing Garment was to a customer who would have purchased the respective Claimant’s Garment had the Infringing Garment not been available."
Does P = 0?
(a) House of CB and Oh Polly are direct competitors: indeed, at the time of the infringement, Dr Branney considered House of CB to be Oh Polly’s most significant competitor. The two businesses were very similar, producing similar types of garments (bodycon and bandage garments) for an overlapping customer base;
(b) The infringing garments were articles of clothing - “sexy” garments to be worn on a night out. The driving factor behind a purchase was the look of the garment - whilst approximately a third of on-line purchased garments were returned (to both businesses), this does not detract from my findings in the Main Judgment that it was the look of the garments in photographs that attracted custom;
(c) In buying a particular garment from either side, the customer is buying into a “lifestyle” - both sides offered the same lifestyle; and
(d) There was no evidence that any comparable garments were available to customers of the Defendants at the relevant time and at comparable prices.
What is the Value of P?
(a) The infringing garments were copies of the Claimants’ garments (or parts of the Claimants’ garments);
(b) The businesses of both the Claimants and the Defendants sell garments to fashion-conscious young women who are looking to buy sexy clothing online and, in particular, dresses for a night out;
(c) The Defendants (at the relevant time) considered House of CB to be their biggest competitor;
(d) There are some customers who buy from both House of CB and Oh Polly; and
(e) The Defendants’ retail prices for infringing garments were, generally speaking, lower than those of the corresponding garment of the Claimants.
(a) The Defendants denied that the Claimants’ garments were selected to copy specifically because they were House of CB or Mistress Rocks garments, or those of a competitor more generally. Rather, counsel for the Defendants submitted that they were selected because they were “on trend”. I do not consider that this matters one way or the other in circumstances where the Defendants have conceded that they copied (or have been found to have copied) the Claimants’ garments because they were “on trend” - that is, highly desirable. I therefore do not take this into account, although, were I to do so, it would not make a meaningful difference;
(b) The Defendants denied that they considered Mistress Rocks their biggest competitor. This is said to matter because two of the infringing garments copied were Mistress Rocks garments - and the Mistress Rocks brand was different to the House of CB brand, targeting different consumers. I accept this submission and take it into account in my overall assessment;
(c) Whilst the Defendants conceded that there was some customer overlap between House of CB and Oh Polly, the Claimants accepted that there is not complete overlap. I accept that submission and I take it into account;
(d) The Defendants submitted that the difference in price between the Claimants’ garments and the Defendants’ garments was such that a significant proportion of the Defendants’ customers could not afford to buy one of the Claimants’ garments, especially at the undiscounted price. I accept this submission to a degree, but consider that it was overstated by the Defendants. The Claimants led evidence of discounting of their garments, in some cases deep discounting, such that the cost differential lessened, and in some cases, was removed. There was an overlap in customers - some customers bought garments from both businesses. I take this into account in my overall assessment;
(e) The Defendants submitted that their garments were of an inferior quality to the Claimants’ garments. I dealt with this in the Main Judgment. All of the Defendants’ sales were made on-line, so what mattered was the impression given by the image, more so than the garment itself. As I held at paragraph 132 of the Main Judgment, the images used by the Defendants did not demonstrate any difference in quality. The return rates for both businesses were roughly the same. Therefore, I do not consider that the inferior quality of the Defendants’ garments is something I should take into account in my assessment of the value of P, but if I were to do so, it would make no meaningful difference;
(f) As noted above, the Claimants withdrew the lost profits claim in relation to C108*/D41. The Defendants submitted that a further three of their infringing garments were different garment types:
(a) C27* is a dress with a halter top, whereas infringing D27 is a very similar halter top but with leggings so as to make a jumpsuit.
C27* D27
(b) C110* is a two-piece bikini, whereas infringing D15 is a top.
C110* D15
(c) C61* is a dress, whereas D48 is a skirt.
C61* D48
As these images clearly demonstrate, whilst the infringing garments are not identical to the Claimants’ garments, the key features of the design have clearly been copied. Further, Dr Branney said in his fifth witness statement (emphasis added):
“So a trend is a particular configuration of a garment (because generally it is rarely a specific dress): square necklines with straps; or y-neck with a harness; or ruched asymmetric hemmed skirt. Those are the types of things that all major fashion brands will jump on to capitalise on a trend. Our customers want to be seen in a trend the more they see it on others - they want to be seen as “trendy”.”
Therefore, whilst I take into account that not every customer looking for a PVC dress with laces will instead have purchased the skirt version, some will have, because it is the “trend” of the design they were after, rather than, as Dr Branney says, a specific garment. I take this into account in my overall assessment, as I do in relation to C1* (which was trousers only) and D1 (sold as a two-piece top and bottom set);
(g) The Defendants submitted that in the case of seven of the infringing garments, only part of the Claimants’ garment was copied. I do not consider that this fact on its own makes any difference, for the reasons given in relation to the immediately previous submission. Consumers would not be assessing parts of a product in the way that the court was asked to: they will be looking for the “trend”, as Dr Branney put it. Alternatively, were I to take this into account, it would not have made a meaningful difference to my assessment;
(h) The Defendants submitted that in “many cases”, the colour of the infringing garment was different from the colour of the corresponding garment of the Claimant, such that a customer would not choose one rather than the other or regard them as substitutable. There was no evidence on this topic, and it does not accord with my understanding of the market. The designs were chosen by Ms Henderson to be copied because they were “on trend”. Customers were looking for that trend. The evidence at the liability trial was all in relation to shape trends rather than colour trends. Whilst I accept that some customers may not have bought a wine-coloured dress instead of a yellow one, what mattered was the “trend” into which the customer was buying. I have therefore taken this into account, but only to a limited degree;
(i) The Defendants submitted that in some cases the materials of the infringing garments were different from the materials of the corresponding garment of the Claimants. The Defendants submitted that a customer was unlikely to buy a leather dress instead of a suedette one (C61 v D61) or a heavy bandage jumpsuit instead of a light polyester one (C91 v D91). There was no evidence to that effect, and, again, it does not accord with the evidence of Dr Branney I have excerpted above. I set out the images of C61, D61, C91 and D91 below.
C61 D61 C91 D91
As I have set out above, the Defendants’ customers were all online, so what really matters is the images. Whilst the difference between leather and suedette is apparent when comparing C61 and D61, the differences between C91 and D91 to which the Defendants point are not apparent from the images above. I have therefore taken this into account, but only to a limited degree;
(j) The Defendants relied on two aspects of Dr Branney’s evidence: first, in relation to the different target demographics of the House of CB vs Oh Polly businesses. In the Main Judgment, I found that there was an overlap of customers, and the Defendants have conceded that fact for the purposes of this inquiry. This point therefore goes nowhere. The second aspect relied on entailed the mechanics of purchasing a garment online, the thrust of which evidence was that it is unlikely that a customer with a particular House of CB dress in mind could find the copy on the Oh Polly website. As I set out above, I have declined to accept Dr Branney’s evidence unless corroborated. In any event, in paragraph 431 of the Main Judgment, I set out social media posts from customers who had posted that Oh Polly was copying House of CB garment designs. If members of the public had noticed it, and felt it appropriate to draw attention to it, then that seems to me not to support Dr Branney’s testimony;
(k) The Defendants also relied on the absence of evidence of social media posts in relation to these particular garments. As noted above, I do not find this absence surprising. It seems very unlikely to me that a consumer would post, “I just bought an Oh Polly copy of the House of CB [name] dress.” I therefore reject this submission;
(l) Finally, the Defendants relied on Mr Dearman’s expert evidence concluding that P = 0. As I said above, that conclusion was outside Mr Dearman’s expertise, and he should not have been asked to make it. Mr Dearman analysed the sales transaction data from each side on a garment-by-garment basis. He created charts which, he said, showed no correlation between demand for the Claimants’ garments and the introduction of the Defendants’ infringing garments. The Claimants described Mr Dearman’s analysis as “pseudoscientific ‘tea leaf reading’ based on his eyeballing some graphs he had drawn showing (some of) the parties’ sales over time”. There is some force to that submission - certainly, Mr Dearman was in no position on the basis of what was before him to conclude that P = 0. I accept his opinion that from the forensic material before him he could not find a correlation between the Claimants’ monthly sales data and the Defendants’ monthly sales data. But that conclusion can only go so far, particularly without evidence of other factors driving sales (holidays, Instagram posts, the weather). For example, Mr Dearman insisted that in relation to each garment, there was a “trend of decreasing demand”. Certainly, sales were generally lower prior to discontinuance of each garment than they had been at the start of sales, but no obvious “trend” was apparent to me on a review of some of Mr Dearman’s graphs. For example, Mr Dearman’s graph for C4/D4 is set out below, where the blue line is sales of the Claimants’ garment and the red line is sales of the Defendants’ garment.
This clearly shows that the Claimants’ sales were increasing sharply at the date on which the Defendants’ infringing product (D4) was launched, and that the Claimants’ sales fell as the Defendants’ sales rose. Mr Dearman accepted his error in cross-examination, but sought to justify his conclusion on other grounds. In any event, even if the Claimants’ sales were on a downward trend, that does not necessarily mean that sales could not have been lost to the Defendants, as Mr Dearman accepted in cross-examination.
The Claimants made detailed further criticisms of Mr Dearman’s evidence on the value of P which it is unnecessary to set out here. Mr Dearman was asked in cross-examination what the graphs would have looked like if P was in fact 1, and he was unable to say. Indeed, he was unable to say what the graphs would have looked like if P were 0.75, 0.5 or 0.25. Mr Dearman accepted in cross-examination that if he did not know what the graphs would look like if P were in fact 1, it follows that the fact he has not seen a value for P is not evidence that P has no value. Counsel for the Defendants submitted that Mr Dearman had not understood the questions asked of him. That was not my impression from watching Mr Dearman give evidence, nor from the transcript - I therefore reject that submission.
As I have set out above, I accept that Mr Dearman was giving his evidence honestly, on the basis of the issues he had been asked to discuss. He was at pains to point out in cross-examination the limitations of his analysis, and his conclusions that he could not in fact tell whether or not the Claimants’ sales were actually impacted by the Defendants’ sales. I therefore prefer that oral testimony. I accept that Mr Dearman was unable to see in his charts and tables any meaningful correlation between the Claimants’ sales and the Defendants’ sales, but, as he accepted, that does not tell me the value of P, and certainly does not tell me that P = 0.
Reasonable Royalty
(a) a royalty of 25% of the Claimants’ undiscounted sales price;
(b) a royalty of 50% of the Defendants’ anticipated gross profit;
(c) all of the Defendants’ additional revenue were they to increase their garment prices to £55;
(d) all of the Defendants’ additional revenue were they to increase their garment prices by 20%;
(e) a fixed fee of £10,000 per design, whether whole or partial; or
(f) a fixed fee of £10,000 for each of the ten whole designs and £5,000 for each of the seven partial designs.
(a) 25% of the Defendants’ actual net profit (which they calculated as £14,664);
(b) 3.5% of the Defendants’ net sales price (which they calculated as £15,792); or
(c) 7.5% of the Defendants’ actual gross profit (which they calculated as £14,410).
(a) neither side had ever entered a comparable agreement to license a design, and so there were no past facts on which to base future hypothetical conduct; and
(b) the evidence of Ms Richards and Dr Branney was that they would never have entered into an agreement with each other, but if they had, they would not have negotiated beyond their own red lines.
The Relevant Data
(a) The Defendants sold 15,393 infringing garments (net of returns). Of these sales, 10,269 were in the UK, 1,282 were in the EU (but not the UK) and 3,842 were outside the EU and UK;
(b) The Defendants’ total net revenues on those sales were £451,188 (including net postage income after tax of £69,188). Of this net revenue, £280,424 was from sales in the UK, £38,129 was from sales in the EU (but not in the UK) and £132,636 was from sales outside the EU and UK;
(c) The Defendants’ total gross profits on the infringing sales were £192,208, at a gross profit margin of 42.6%;
(d) The first infringing garment went on sale on 11 August 2016 and the last infringing garment went on sale on 25 June 2018. The last sale of an infringing garment was in December 2020, as the liability trial was taking place; and
(e) The Claimants sold 21,939 of their own garments from which the Defendants copied, with sales revenue of £1,755,268.
Competing Businesses
“This is really a court-imposed notional bargain. I have held that Gerber’s lost profit would be irrelevant - because the negotiation does not cover lost sales.”
“The hypothetical negotiation is between the actual parties, assumed to bargain with their respective strengths and weaknesses.”
“Gerber’s expert suggested that this ought to be double because the licensee would be competition, leading to a royalty of 50% of the licensee’s sales revenue. I have indicated I think this is wrong - we are here talking about the non-competing sales.”
“The participants to the negotiation therefore have, generally speaking, all the real priorities and concerns of the real claimant and the real defendant, and their hypothetical negotiation takes place against a background matrix of the real facts which would have been in their minds at the relevant time.”
A Legitimate Alternative
(a) Ms Henderson, then the only designer for Oh Polly, on her own evidence could not draw or use any of the computer-assisted design programs. As I found following the liability trial, she found on the Internet images of garments she liked, and sent them to the factory to be copied. Whilst the Oh Polly business later hired designers, in 2016 it had not yet done so;
(b) The Defendants could have taken a licence from a third party: whilst I found following the liability trial that Ms Henderson had copied third party garments, there was no evidence before me then or now that the Defendants had attempted to take a license from a third party, or that a third party would have been prepared to enter into such a licence; and
(c) The Defendants could have commissioned an independent designer to create the designs they wanted, or set up a design department (as they later did). The only evidence before me on the use of an independent designer was a payment of EUR8,500 for 10 designs. For the total number of designs in issue, this figure would have almost equalled the amount the Defendants say is due under this head of damage, and it would not have guaranteed that the designs were from an on-trend successful business. There was no evidence before me of the costs of the latter approach, but it is clear to me that it would have been expensive - significantly more expensive than the £15,000 or so that the Defendants say is due under this head of damages.
Parties’ Evidence of their Approach to the Hypothetical Negotiation
Third Party Royalty Agreements
(a) The majority of the licences were exclusive, whereas this hypothetical negotiation did not relate to an exclusive licence;
(b) The majority of the licences were trade mark licences, rather than licences of unregistered design rights;
(c) Some of the licences did not relate to clothing, but were for eyewear, bedding or towelling;
(d) Many of the licences incorporated minimum royalty payments, and some had additional requirements such as payments on execution, or by way of an annual fee;
(e) Many of the licences related to deals significantly bigger than this hypothetical negotiation, involving revenue in the millions (one was for $15 million and one was for 150 million French Francs); and
(f) None of the licences appears to have been agreed between direct competitors.
Garments Sold Outside the UK/EU
Part Designs
C1*/D1
C57*/D57
C108*/D41
C109*/D42
Evidence
(a) In 2016, both House of CB and Oh Polly were large and growing businesses - Oh Polly’s turnover was £4 million. The licensing of 17 designs at the time would have been a very small portion of the business of both sides.
(b) Both businesses were operating on a gross profit margin in excess of 40%.
(c) The Claimants had never granted licences to unrelated third parties to reproduce their designs - unlike Ralph Lauren, for example, the Claimants’ was not a licensing business.
(d) The Claimants, like many licensors, would have been reluctant to agree a royalty rate based on the Defendants’ net profits, because of the additional administrative burden, and the ability of the Defendants to minimise profits through maximising costs (over which the licensor has no control). Further, the difficulties in calculating accurate figures for the purposes of this inquiry demonstrate the complexities - which a willing licensor would have been keen to avoid, particularly given the low value of this licence compared to its overall business. As licensor, the Claimants would also have been keen to have a tangible idea of the level of royalties payable before agreeing to anything - it had to be worth the effort.
(e) The Defendants, like many licensees, would have been reluctant to agree a royalty rate based on the Claimants’ sales price, or on anticipated profits (as opposed to actual profits).
(f) In negotiating a licence, the Defendants would have looked at what they could have sold each garment for. Whilst they would have started with their then normal selling price of £35, they would have been prepared to increase their prices. Dr Branney considered the optimal price for selling the Defendants’ products to be £50 to £60; he also gave evidence that he would have been prepared to increase the sale prices of the infringing garments by 10 to 20%.
(g) The Defendants would have been prepared to pay a fixed fee per design - on Dr Branney’s evidence, the Defendants would have been prepared to pay up to £1,000 per part design and up to £3,000 per whole design.
(h) The Defendants would not have been able to reduce their costs in producing and selling the infringing garments.
(i) On Mr Geale’s evidence, a price increase of 20% for the Defendants’ infringing garments would have increased revenue by £76,400, which would then have been available to pay a royalty to the Claimants. Had the Defendants increased prices to £55 per infringing garment, even with 25% discounting, the Defendants’ revenue would have increased by £182,565. Mr Geale’s models were based on Dr Branney’s evidence about price elasticity, including that “the volume of the Defendants’ sales increases up to a price point of between £50 and £60”.
(j) Whilst a licensee will usually want to ensure it turns a profit from the licensed goods, there are other reasons why a licensee might still take a licence (many of these are reasons generally for a business to sell goods as what are described as “loss leaders”):
(i) to attract customer interest in the hope they buy other products; and
(ii) to cultivate customer loyalty.
(k) Of the licences reviewed by Mr Dearman, only one was on the basis of gross profit, and none was on the basis of net profit. 18 of the selected 20 were on the basis of net sales - that is, as a percentage of the licensee’s sales at the licensee’s selling price. The lowest royalty rate in those licences was 1.8% and the highest was 18%. Many included minimum royalty payments.
(l) The Defendants were seeking to attract customers wanting to be “trendy”, so having on-trend designs was of high importance to the Defendants - they could not grow their business without them. The Claimants’ business was known to be successful, and it was known to be based on on-trend designs.
(m) The Defendants had no other ready way to procure on-trend designs from a successful business.
(a) that he would be prepared to pay a 10% royalty on gross profits (Mr Dearman proposed 7.5%);
(b) that he would be prepared to pay 50% on net profits (Mr Dearman proposed 25%); and
(c) that he would be prepared to pay a fixed fee of £1,000 for the partial designs - for 6 of the 7 partial designs, Mr Dearman’s proposed royalty on all three bases is less than £1,000.
(a) The parties would have agreed to calculate the royalty on the basis of the Defendants’ net sales revenue, that is, a percentage of the Defendants’ sales at the Defendants’ selling price. As is clear from the example agreements provided by Mr Dearman, this is the usual way in which licences are agreed because it limits administration and future disputes;
(b) The parties would have treated partial designs and whole designs the same - what the Defendants were looking for were, on Dr Branney’s evidence, “trends”;
(c) For a design-conscious business seeking to attract customers looking for “trends”, the design of the products is important. The Defendants had no other source of on-trend designs from a successful business. They would therefore have been prepared to pay above average royalty rates to be able to license the Claimants’ garment designs - that is, outside Mr Geale’s “normal” range of 3-6%. Given the range in Mr Dearman’s evidence, I consider that the Defendants would have been prepared to pay a royalty rate of 10%. This is more than the lowest rate of 1.8% or Mr Dearman’s calculated mean of 6.8%, but still significantly less than the top rate of 18%;
(d) The Claimants were not running a licensing business. They would therefore have wanted some certainty that the income from this licence was worth the administrative effort. They would therefore have wanted to set a minimum licence fee, as was provided for in a number of the licences in Mr Dearman’s analysis. The Defendants on Dr Branney’s evidence would have been prepared to pay £1,000 for a partial design or £3,000 for a whole design. In my judgment, this understates the reality. The Defendants had nowhere else to obtain on-trend designs from a successful design business. I estimate that they would have been prepared to agree to a minimum royalty of £4,000 for each design, whether whole or part; and
(e) A royalty at this level would have eaten into the Defendants’ profits, but it would not have rendered the garments “loss-leaders”. Had the Defendants wished to maintain the same profits, they would know that they could increase the prices of some garments in order to pay the royalty and still make a meaningful profit. They would readily have done so up to Dr Branney’s “sweet-spot” of £50 to £60.
Additional Damages
The Law on Additional Damages
(a) The legal character of additional damages is sui generis: whilst a fine may be a “suitable analogy”, additional damages are not a fine, and are payable to the Claimant (at paragraphs 36 and 37);
(b) The power to award additional damages extends to cases in which effective relief is available to the claimant (at paragraph 34);
(c) Additional damages may be partly or wholly punitive (at paragraph 37);
(d) Additional damages serve a valuable deterrent effect both to the infringer in the particular case under consideration, and also more widely in that they send the general message that infringement does not pay (at paragraph 38);
(e) In certain cases, additional damages may also enable a claimant to recover a contribution towards internal administrative costs which would not otherwise be recoverable as compensatory damages, because staffing had not been diverted from normal business activities (at paragraph 38);
(f) An award of additional damages cannot be made to make up for any shortfall between the litigation costs actually incurred and those which were allowed on an assessment (at paragraph 38);
(g) An award of additional damages must be “effective, proportionate and dissuasive” (at paragraph 41); and
(h) It may be that a particularly egregious award of exemplary damages would amount to an abuse of rights (at paragraph 42).
“41. That ties in with article 3(2) of the Directive which states that remedies must be “effective, proportionate and dissuasive”. However, the court added this warning:
“[31] It is admittedly possible that, in exceptional cases, payment for a loss calculated on the basis of twice the amount of the hypothetical royalty will exceed the loss actually suffered so clearly and substantially that a claim to that effect could constitute an abuse of rights, prohibited by art.3(2) of Directive 2004/48. It is apparent, however, from the Polish Government’s observations at the hearing that, under the legislation applicable in the main proceedings, a Polish court would not be bound in such a situation by the claim of the holder of the infringed right.”
42. It may be, therefore, that a particularly egregious award of exemplary damages would amount to an abuse of rights.”
No. |
Case name |
Cause of action |
Award of standard basis damages |
Additional damages award |
Basis of calculation of additional damages |
1. |
Microsoft v Able System Development (decision of High Court of Hong Kong, Court of First Instance, dated 10 October 2002) |
Copyright and trade mark infringement - computer software |
HK$32,575,064 (approx. £2.7m) |
HK$3,257,506 (approx. £270,000) |
Court minded to grant a sum reflecting 10% of the assessed damages of the plaintiff ([36]). |
2. |
Nottinghamshire Healthcare NHS Trust v News Group Newspapers [2002] RPC 49 |
Copyright infringement - photos |
£450 |
£9,550 |
Sum of additional damages awarded so as to result in total damages of £10,000, which was the amount paid by The Sun newspaper to compromise litigation in respect of two illegitimate photos in a separate dispute ([60]). |
3. |
Peninsular Business Services v Citation Plc (No 1) [2004] FSR 17, HHJ Maddocks |
Copyright infringement - manuals |
£9,000 |
£9,000 |
100% uplift on standard basis damages based on double value recoverable by a landlord under s. 1 Landlord & Tenant Act 1730 ([45]). |
4. |
PPL v Reader [2005] EWHC 416 (Ch), Pumfrey J (as he then was) |
Copyright infringement - music |
[not assessed] |
[not assessed] |
Additional damages awarded as (1) costs of enquiry agents and (2) sum equal to unpaid licence fees ([19]). |
5. |
Cavalcade Records v HHO Multimedia [2013] EWPCC 41, HHJ Birss QC (as he then was) |
Copyright infringement - music |
£3,500 |
£3,500 |
No substantive reasoning beyond consideration of general principles (see [23] for decision). |
6. |
Pendle Metalwares v Walter Page [2014] EWHC 1140 (Ch), HHJ Purle QC |
Infringement of UKUDR, UCD and copyright - smoking bins |
£52,705 |
£13,000 |
A 100% uplift would not be appropriate in this case ([49]). Additional damages awarded at approximately 25% of the compensatory award. The figure reflects the disapproval of the defendants’ flagrant behaviour and the court’s recognition that the impact upon the claimant of the defendants’ cynical behaviour (which included a false defence and telling of other lies) has been significant ([51]). |
7. |
PPL v Miller [2016] EWHC 3738 (Ch), Birss J (as he then was) |
Copyright infringement - music |
£3,251.25 |
£1,600 |
About half of standard basis damages ([33]). |
8. |
Absolute Lofts v Artisan [2017] ECDR 6, HHJ Hacon |
Copyright infringement - photos |
£300 |
£6,000 |
Reliance on flagrancy of infringement and benefit to defendant in context of unfair profits derived by defendant ([60]). Additional damages assessed in the same amount as damages awarded under art 13(1) of the Enforcement Directive. |
9. |
Reformation Publishing v Cruiseco [2018] EWHC 2761 (Ch), Nugee J (as he then was) |
Copyright infringement - music |
£38,750 |
£25,000 |
Figure simply selected following no citation of authority and neither party putting forward any particular analysis to justify their figures. Figure held to be adequate to mark the seriousness of the infringement ([92]-[93]). |
“92. The remaining, and final, question is to fix a sum for additional damages. On this I was cited no authority and given very little by way of submissions, Mr Richards inviting me to make a substantial award of £50,000, and Mr Keay suggesting a modest uplift of 5% of the ordinary damages, but neither putting forward any particular analysis to justify their figures.
93. In those circumstances I can do nothing else than select a figure. I propose to award £25,000 which seems to me adequate to mark the seriousness of the infringement.”
(a) In Absolute Lofts, £6000 in additional damages was awarded on top of £300 in standard damages, equivalent to a 500% uplift; and
(b) In Nottinghamshire Healthcare NHS Trust, £9,550 in additional damages was awarded in addition to £450 in ordinary damages, equivalent to an uplift of 2,100%.
But of course, the uplift in other cases was significantly less, and some of the cases (including that before Nugee J) were not based on an uplift at all.
The Claimants’ Approach
(a) That the creative industries are a major contributor to the UK’s economy, and Parliament created design rights to protect the work of creative designers;
(b) An infringer takes a risks when s/he sells a cheap copy, but that risk will often not be a great one, because for trend-based fashion, the product will have long sold out before the court can issue an injunction. Claimants may not bring litigation because of the unrecoverable costs of litigation;
(c) For unregistered design rights to have teeth, an award of additional damages should make up for what was described as the “enforcement deficit”;
(d) The Defendants’ conduct in the litigation. Here:
(i) The Defendants denied copying from the outset, and, other than garment D35, up to and including at the trial; and
(ii) The Defendants submitted that the Claimants had slavishly copied each and every design relied on such that the design right did not subsist (which I found following the liability trial not to be the case); and
(e) The Defendants have very substantial means, and the award of additional damages should not be a trivial “cost of doing business”. The Oh Polly business turns over tens of millions of pounds a year, and makes millions of pounds of profit. The personal Defendants are the only two shareholders of the Oh Polly business. The punitive aspect of the award must be felt and the impact needs to be lasting.
The Defendants’ Approach
(a) He refuted the Claimants’ submission that the Defendants were infringing in a large-scale way. Rather, he submitted that the infringing garments represent a “tiny proportion of the approximately 4,000 designs that the Defendants have released to date”. I accept the submission that the infringing garments were a small percentage of the total garments, but I keep in mind that 15,393 infringing garments were sold to the public - that differentiates this case from some of the examples I was shown where a single photograph was copied. 15,393 sales over a four year period is large-scale infringement, even if it is a small proportion of the very substantial Oh Polly business;
(b) Counsel for the Defendants submitted that I should not take into account the use by Ms Henderson of third party designs, images of which she sent to the factories to be copied. I accept that submission - the award of additional damages is for the flagrancy of the infringements I have found to have occurred, that is, the 15,393 infringing garments;
(c) Counsel for the Defendants urged me not to take into account the fact that the Defendants did not cease copying the Claimants’ designs once put on notice in 2016. I do not accept that submission. The copies before me date from 2016, 2017 and 2018 - the last infringing garment was first put on the market 10 days after the claim form in this case was sent to the Defendants. Sales then continued, including until December 2020 as the liability trial was taking place. Counsel for the Defendants suggested that this was “not the behaviour of a cynical infringer with no regard for the law”. I reject that submission;
(d) Counsel for the Defendants asked me not to rely on the Claimants’ submission that the Defendants’ business was at all material times wholly or substantially parasitic on legitimate fashion businesses. I accept that submission - the additional damages relate only to the 15,393 garments which infringed;
(e) Counsel for the Defendants initially submitted that it was “not legitimate to look at [the Defendants’] turnover and gross profit and measure the additional damages award by reference to those overall amounts”. Whilst that is true, I do not accept that the Defendants’ financial position is irrelevant. The Defendants accepted that the additional damages award I make should be punitive and should serve as a deterrent, and that it will do so “if it adds a significant amount to the compensatory award”. The Defendants also accepted that what is punishing to someone who has no money will be a very different thing from what is punishing for someone who has significant resources. In my judgment, in assessing what award might be punitive and a deterrent, the Defendants in this case are in a different position to some of the small businesses involved in the cases set out in the Defendants’ schedule. The Oh Polly business is successful, and as I have held above, would barely be affected by the Defendants’ suggested award of £3,000 (whereas an award at that level may have a significant punitive effect on a less prosperous copyist). In my judgment, and as the Defendants conceded in closing, I am entitled to take the Defendants’ means into account in assessing what award of additional damages would be effective, proportionate and dissuasive. As Lord Devlin set out in Rookes v Barnard (No 1) [1964] AC 1129, “the means of the parties, irrelevant in the assessment of compensation, are material in the assessment of exemplary damages”. See also Dynamic Supplies Pty Limited v Tonnex International Pty Limited (No 3) [2014] FCA 909 per Yates J at paragraph 53 (Federal Court of Australia). On no basis is £3,000 a “significant amount” to the Defendants;
(f) Counsel for the Defendants submitted that “the scale of the infringement is insignificant in the context of both sides’ businesses as a whole”. I find this submission troubling, because, if correct, it would mean that additional damages awards for larger businesses are lower than those for smaller businesses. For the reasons set out in the immediately preceding paragraph, the opposite should be the case. When assessing the scale of infringement for the purposes of additional damages, in my judgment, what matters is the scale of the infringement as against the world - here, there were 15,393 infringing garments, which is a large number sold over a four year period. It does not matter that the Defendants also sold many other garments which have not been found to infringe. What matters is that this was not a one-off single copy - it was large-scale infringement over multiple years; and
(g) Counsel for the Defendants asserted in his opening skeleton that the Claimants “are both Chinese companies who, to the Defendants’ knowledge, do not employ any UK domiciled individuals” and that, as a result, had the Claimants designed the designs themselves, they would not have qualified for UKUDR protection. I cannot see how that assertion is relevant to the assessment of additional damages. In any event, as counsel for the Claimants pointed out, it is wrong. The Claimants are both Hong Kong companies, and therefore enjoy reciprocal protection under Part III of the CPDA by virtue of paragraph 2 of the Design Right (Reciprocal Protection) (No 2) Order 1989.
(a) That the Defendants’ business was competing unfairly with other legitimate businesses;
(b) That the Defendants were able to take a short cut to bring to market designs that were already successful;
(c) That the Defendants were able to produce garments on an exceptionally fast timescale;
(d) The copying of original designs is widely recognised as a major problem throughout the fashion industry;
(e) The cost of enforcement;
(f) That the type of infringement is detrimental to the UK’s creative industries;
(g) The findings I made in the Main Judgment in relation to the unsuccessful passing off case; or
(h) The wider detriment suffered by the Claimants as a result of the Defendants’ infringement.
Conclusions on Additional Damages
(a) The award represents an uplift of 200% on the standard damages I have awarded. Whilst each case must be assessed on its facts, this award is nowhere near the uplift of 500% or 2,100% from two of the cases to which I was referred;
(b) There was no evidence before me that the Defendants would be unable to pay such an amount;
(c) The award amounts to £19.50 per garment. The award is more than the gross profit the Defendants made from the infringement - £192,208. The standard damages awards I have made have already eaten into that gross profit but not consumed it entirely. But simply removing the profit altogether does not act as a deterrent or a punishment, as the Defendants would be left in the same position as if they had not infringed. To be punished and deterred, the Defendants must be left out of pocket;
(d) The award is less than 1% of the Defendants’ audited turnover for the 2020 financial year; and
(e) The award is within the maximum fine for counterfeiting by a corporation, which is £450,000. Obviously, this case relates to unregistered design right infringement, and is a civil case not a criminal one, but Parliament has provided for a fine of up to £450,000 (in addition to providing for compensation orders) for relevant acts of trade mark infringement.
Interest
Summary
(a) 20% of the Defendants’ infringing sales were sales that the Claimants would have made. The Claimants are therefore entitled to lost profits damages in the sum of £74,847.92;
(b) On the remaining 80% of the Defendants’ sales, the Claimants are entitled to a reasonable royalty. That royalty is to be assessed on the basis of:
(a) 10% of the Defendants’ net sales;
(b) With a guaranteed minimum royalty of £4,000 per design,
which amounts to £75,276.64; and
(c) The Defendants should pay the Claimants £300,000 in additional damages for the flagrancy of their infringement.