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Criminal
Friends of Entertainment:
Analysing Results from Recent Peer-to-Peer Surveys
Herkko Hietanen*,
Anniina Huttunen,
Heikki Kokkinen∞
Table of Contents:
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Cite as: H Hietanen, A Huttunen, H Kokkinen, "Criminal Friends of
Entertainment: Analysing Results from Recent Peer-to-Peer Surveys", (2008) 5:1 SCRIPT-ed
31 @:
http://www.law.ed.ac.uk/ahrc/script-ed/vol5-1/hietanen.asp
Download options |
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DOI: 10.2966/scrip.050108.31 |
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© Herkko Hietanen, Anniina Huttunen,
Heikki Kokkinen 2008.
This work is licensed under a
Creative Commons Licence.
Please click on the link to read the terms and conditions.
|
1. Introduction
Peer to peer has turned out
to be a disruptive technology that has had had profound impact to
the content ecosystem. Copyright owners are worried that file
sharing is destroying their business and legislators have reacted by
enacting laws that criminalise illegal file sharing. Industry
and researchers disagree on how the illegal file sharing affects
legal sales. IFPI estimates tens of billions of illegal music files
are traded annually worldwide at an estimated ratio of 20 illegal
downloads per every track sold.1
The conservative International Policy Institute calculated the total
piracy loss to US sound record industries from global piracy to
equal $5,3 billion.2
Such numbers are only reliable if file sharing is a direct
substitute. A recent Canadian study3
did not uncover either a positive or negative relationship between
the number of files downloaded from P2P networks and CDs purchased.4
However, the study suggested that of the Canadian P2P file sharing
subpopulation, there is a strong positive relationship between P2P
file sharing and CD purchasing. The study estimated that the effect
of one additional P2P download per month increases music purchasing
by 0.44 CDs per year. According to a widely discussed study by
Oberholzer-Gee and Strumpf, “downloads
have an effect on sales that is statistically indistinguishable from
zero.”5
They concluded that file sharing is not the main reason for the
decline in music sales. However, Oberholzer-Gee and Strumpf’s
results have been since questioned.6
Getting a reliable result of the impact of
illegal file sharing is hard. Nevertheless, rights
owners consider it a serious enough problem to warrant spending a
considerable amount of money on copyright enforcement in massive and
costly trials. In recent case, Sony BMG’s head
of litigation Jennifer Pariser testified
that record labels have spent “millions”
on the lawsuits, and that the record companies are losing money with
the litigation program.7
Yet the file sharing phenomenon has not disappeared and some studies
suggest it to be on the rise.8
Why are people massively infringing copyright law? Do file sharers
see changes in their consumption from legal sources? Do they know
what they are doing is illegal or do they just not care? The problem
calls for further study. We conducted a web survey and asked
questions about file sharing and copyright law. This paper describes
the results of that survey.
2. Survey Methodology and Demographics
We
conducted an online survey, the goal of which was to find out about
the attitudes of P2P users to law and their practices of file
sharing [the HPS survey].9
The questions concentrated on the use of P2P, the users’
attitudes to laws governing file sharing, how they saw their file
sharing affecting the media industry and vice versa. Previous
surveys conducted in 2007 in the UK10
[DMS], Sweden11
[RB] and Canada12
[CAN] were used as reference points for drafting the questions. Some
results from the previous surveys are presented in footnotes. The
goal of the survey was to produce numbers for the public discussion.
The aim of this paper is to describe the data set, but the detailed
explanation and cross analysing will be done later. The collected
dataset is available for further study at HIIT website and the
authors invite anyone interested in this subject to work with it.13
The survey was conducted
online on three Sanoma WSOY magazine’s web pages.14
During the time the survey was online (15 to 22 August 2007) it was
filled out 6103 times.15
Two of the three websites where the survey was displayed were
technology news sites. This partly led to selection of the
respondents to users of file sharing services. A typical respondent
was a male with a technical background who used file sharing
networks at least once a week.16
Even though 37% of the respondents were students, over 50% reported
monthly income that exceeded €1500. Most of the respondents
were 17-35 year old.17
The young age and high rate of file sharing use are in line with
previous studies that found that there is a digital divide among age
groups.18
According to Statistics Finland, the Internet was used by 79% of the
Finnish population at the beginning of 2007.19
41% of the Internet users used Internet for listening to music
online or downloading music on a PC or another device.20
87% of the participants had
used P2P file sharing sites.21
Three quarters of the respondents had downloaded unauthorised music
or videos from P2P networks22
and 59% had shared illegal music, movie or TV series files,23
while less than 10% of the respondents had been the first peers to
upload content.24
10% of the participants had used P2P sites only for legal purposes.25
This use can be explained by free and open source software and
Creative Commons licensed works26
that are shared legally.
Fig. 1:
I have downloaded unauthorized music, movie and TV series files
|
Fig. 2:
I have shared unauthorized music, movie and TV series files
|
Fig. 3:
I have been a first file sharer
|
|
|
|
Nearly 80% of the users had
used BitTorrent to download files.27
About half of the respondents had used Direct Connect and less than
half had used FastTrack based services like Kazaa.28
It appears that peer-to-peer use is still connected to computers as
mobile phone P2P client programs Symella and SymTorrent were almost
unknown.29
Many of the survey
respondents connect to file sharing network frequently. Half of the
respondents share or download files at least once a week.30
Both music and video file downloading were considerable. The most
common answer to the question regarding the amount of downloaded
files was over 100 albums (over 1000 files) of downloaded music31
and over 200 movies or episodes of TV series.32
Fig. 4:
How many music files have you downloaded from P2P file sharing
sites?
Fig. 5:
How many movies or TV series episodes have you downloaded from P2P
file sharing sites?
Conducting
surveys with people who are involved in activities that carry
criminal punishment can be challenging and thus the results must be
taken with a grain of salt. P2P file sharing is a subject that
generates passion. This was seen in the comments that several
discussion forums received. Some of the comments thought that the
survey makers were collecting data for future prosecution or that
the researchers were errand boys of the record industry. The general
suspicions lead to a point where only two thirds of the respondents
left their contact information for a prize raffle. The first prize
had to be redrawn as the winner had left in the place of contact
info a message “up yours KRP, I won’t give you my
contact info; [email protected].”33
Some of the commentators even thought that the two mobile phones
that were offered as a raffle prize were bugged by the police to
collect incriminating evidence.
3. Finnish Law and File sharing
The
Copyright Act (1961/404) and the Penal Code of Finland (39/1889) set
forth the remedies that a copyright holder may obtain upon a finding
of infringement. Illegal peer-to-peer downloading is not
criminalised. Due to year 2005 amendments, downloading from an
illegal source might, however, lead to civil sanctions, such as
liability to pay compensation or damages (section 57 of the Finnish
Copyright Act) to the rights owners. The technical structure of the
BitTorrent blurs the line between file sharing and downloading. The
downloaded pieces of the work are instantly shared. It is hard to
draw a line when an infringement occurs: is it when the first
package is shared or the whole file downloaded?
When the copyright law was
amended in 2005, the provision in the Penal Code concerning
unauthorised file sharing in information networks was also made
tighter. In contrast to other copyright offences, an intention to
benefit financially is not required when the infringement takes
place in information networks. Because of this, the maximum penalty
for unauthorised file sharing is now two years in prison even when
there is no commercial intention involved in sharing. The raising of
the maximum penalty allows the usage of coercive means, such as
house searches and computer confiscations. The courts have so far
used their powers to punish the file sharers cautiously. Typically,
the most effective parts of the file sharing sentences have been the
confiscation of the computer and considerable compensation rewarded
to rights owners. It seems that the sudden raising of the maximum
limit is mainly serving the rights owners’ needs to use
coercive measures when investigating the infringements. In addition,
the threat of sanctions is used to prevent undesired behavior.34
In 2004 police raided
dozens of homes and confiscated servers in investigation of
Finreactor
service. Finreactor was a closed BitTorrent tracker and website that
had over 10,000 members. Over thirty administrators of the service
and dozens of users who had shared files were prosecuted in the
case. The compensations that the right owners were seeking rose to
nearly €4 million. One issue that the court had to solve was
who was responsible for the illegal file sharing. Was it the users
who submitted the torrent files that link to the content, the people
who were downloading the content or the service providers that
enabled the file sharing? The district courts have sentenced both
individual users and service administrators to fines. The courts
have typically cut the civil compensation claims to one tenth of the
rate that were originally claimed. It must be noted that the Finnish
courts have not found that rights owners have suffered damages but
only awarded them compensations for the unauthorised reproduction
and making available to public. The Finreactor administrators’
case is currently at the appeal court. The Finreactor case may have
an affect on Swedish Pirate Bay litigation because Finland and
Sweden share a common legal tradition.
According to the respondents’ evaluations, there have not been
significant changes in their behaviour due to rights owners'
actions. Only about 10% of
the P2P users answered that the new copyright law had at least
somewhat decreased their P2P usage.35
It appears that the maximum penalty for P2P file sharing is not
matching the respondents’ sense of justice. When compared to
other crimes with the same maximum penalty, illegal file sharing was
seen as less condemnable.36
However, it should be noted that in fact most of the respondents had
infringed copyrights and committed a copyright offence according to
the penal code. Offenders typically perceive their own actions less
harmful than the general population. When analysing the results of
the survey this fact must be taken into account.
Fig 6:
How would you rate the following activities in comparison to the
large-scale file sharing? (The acts below the red line are crimes
with the same maximum penalty. However, in case of aggravated action
the maximum penalty is higher than two years imprisonment in tax
fraud, drug offence and making and sharing of child pornography.)
3.1 File Sharers and the law
The
Finreactor case has been well discussed among the Finnish file
sharing community. Our survey suggests that the community thinks
that the responsibility should lie on the individuals who are making
the file sharing possible. Only 12% of our survey respondents
thought that the administrator of a file sharing site should be
primarily responsible and 52% thought that initial up-loader or the
person who is allowing others to download the content should be
primarily responsible for the illegal file sharing.
Economics views law-breaking as both rational
and irrational behaviour.37
Several aspect or variables affect human behaviour: the
understanding of right and wrong, the chance of getting caught, the
expected punishment/payoff of the crime and moral valuations. The
payoff for the infringement in file sharing includes getting files
for free but also better service and access to works that are not
available otherwise.
We asked the respondent a series of questions to find out how they
perceive the other factors.
The respondents understood
typically what is illegal according to copyright law. Almost 90% of
the respondents answered that it is illegal to download unauthorised
music from P2P file sharing sites.38
Nearly half of the users saw the use of illegal file sharing sites
as morally questionable.39
Evidently the file sharers are not breaking the law because they are
unaware of it.
One of the reasons why
copyright law might have little affect is that people generally
consider the risk of getting caught miniscule.40
When asked how the risk of getting caught at illegal file sharing
compares to other risks the closest comparison was to winning a
lottery jackpot.41
Other free-riding offences like shoplifting, getting a speeding or
parking ticket or getting caught for not paying for public transport
or TV licenses were considered less probable.42
The entertainment industry
has been busy enforcing its rights. According to Litman, by 2005
RIAA alone had sued over 15,000 individuals.43
IFPI and affiliate recording industry bodies continued the global
campaign against illegal file sharing in 2006, bringing legal
actions against more than 10,000 individuals in 18 countries44
while the total number of legal actions by recording industry is
over 30,000.45
Most of the cases have been settled out of court46
and the majority of trials were won by rights owners. There are
different views how legal actions affect the file sharing in the
industry. IFPI is of the view that legal actions have helped to
contain the illegal file sharing and refers to Jupiter Research’s
finding that “while broadband household penetration is rapidly
rising, the percentage of internet users engaged in frequent
unauthorized P2P usage is actually falling.”47
In contrast, the DMS study suggests that while there was a slight
reduction in 2006, in 2007 unauthorised downloading in UK increased
to its all time highest level to date (43%). Jupiter’s numbers
(11%) deviate substantially from DMS’s (36%). According to
Litman, research done by businesses that monitor traffic over
peer-to-peer networks does not suggest a reduction in the number of
people engaging in peer-to-peer file sharing or in the volume of
files they trade.48
Although IFPI has carried
out several actions, according to its statement: “the
principal aims of the
[legal]
campaign are education and deterrence,”49
the actions taken by rights owners such as campaigning for the
awareness of copyright law or media attention had no significant
effect on the popularity of the P2P services among the respondents.
However when we asked specifically about the trial against the users
and system administrators of Finland’s biggest BitTorrent
tracker, Finreactor, numbers were larger. The usage of P2P had
decreased among 20% of the users. News of on-line piracy in the
media had a minor impact on the P2P usage, since only 10% of the
users had decreased their usage as a result.50
General campaigning for the awareness of copyright law had also
insignificant impact among the respondents.51
Fig. 7:
Please rate how the following incidents or issues have impacted your
P2P-usage.
The film and recording
industries try to send a strong message that P2P file sharing is
illegal. Buying a pirate CD or downloading songs from P2P networks
is compared to stealing a car and P2P users are told that file
sharing can compromise their computers.52
The rhetoric used by the copyright owners was not considered
believable.53
Respondents found it hard to relate to a car thief or the mafia.
Only a couple of percent of respondents at least somewhat agreed to
the statement that P2P usage supports terrorists and less than 10%
of the respondents considered P2P usage to support criminal
organisations.54
Fig. 8:
The following statements relate to the usage of P2P file sharing:
Nearly all of the
respondents knew that illegal file sharing can lead to fines,
monetary compensations and to confiscation of computers.55
Even though survey participants knew what counted as copyright
infringement,56
they had difficulties in recognising the legal uses of works that
copyright law permits. Over half of the respondents answered that it
is not in accordance with law to “to make a copy for myself of
a CD borrowed from a library” or “to make a copy for
myself of a CD purchased by a friend,” even though the
Copyright Act permits copying for private use from a legal source.57
Fig. 9:
As far as I understand the following actions are in accordance with
the law:
The concept of legal source
is rather new, having been introduced in the 2006 Copyright Act. A
purchased or borrowed CD constitutes as a legal source but a private
copy does not. It is clear that the concept is not understood. Over
50% of the respondents thought that it is legal to copy a TV show
recorded by a friend [illegal].58
While this is an example where people conceived illegal copying to
be legal the converse also applied. Nearly half of the respondents
saw copying a borrowed CD [legal] to be as condemnable as large
scale file sharing59.
3.2 The impact of file sharing
As previously noted it is
hard to get reliable results of file sharings substitute effects.
One of the ways is to ask directly the users of file sharing
networks. Over half of the respondents of our study at least
somewhat agreed that P2P file sharing sites increase music sales.60
The survey suggested that the use of P2P file sharing sites has not
significantly affected the use of other media, except for portable
record devices, like iPod, the use of which it had slightly
increased.61
In reality consuming, for example, an illegally downloaded TV series
must inevitably have an impact on the consumption of that same
programs legal TV-broadcast. More than 80% of the respondents were
aware that they can watch shows from file sharing networks before
they are broadcasted on Finnish TV.62
Other studies have shown that as people have limited time for media
consumption, the consumption of illegally acquired programs has an
effect on time spent on other entertainment.63
P2P file sharing may help
to increase the diversity of culture consumption in two respects.
First, over 80% of the participants thought that there are works
available in P2P file sharing sites that are not available in
digital download stores.64
Second, over 80% of the participants thought that P2P file sharing
sites allowed new music and artists to become known.65
Limited sampling features, where songs can be listened for 30
seconds, have been introduced into most web stores as well. In
addition, record companies have used data from P2P networks to find
out about consumer demand for newly released songs.66
Quality of downloads might
be one issue that affect whether file sharing services are
supplements or complements to legal services. In some contexts there
have been statements that the files downloaded from P2P file sharing
sites often have poor quality and contain malware.67
However, this claim was not supported in this survey. Only about 20%
of the respondents somewhat agreed at least to the statement that
the files downloaded from P2P file sharing sites often are of poor
quality.68
The result is similar to the earlier studies made in UK (17%) and
Sweden (22%).69
Moreover, about 10% of the respondents in the DMS answered that they
are likely to download tracks more often from unauthorised file
sharing sites due to improving quality of the tracks.70
In addition about 50% of the respondents in the Swedish survey were
extremely satisfied with the quality of downloaded content on top of
almost 40% being fairly satisfied. All things considered it is
reasonable to conclude that the P2P users are fairly satisfied with
the quality of downloaded files, and that for P2P services subject
to a charge, it is not necessary to change the downloaded tracks to
tracks of better quality, such as was the case with early commercial
file sharing sites.
4. Legal Web Stores and Willingness to pay in
the P2P Environment
According to IFPI in 2007
there were some 500 legitimate music services that provide over 4
million songs to download.71
Several online video stores provide on-demand movies and TV-series.
As there are more and more legal alternatives to file sharing, why
has illegal file sharing not disappeared? In addition to the main
answer: “You can’t compete with free product,”
there are other factors as well.
Those who had not used
legal web stores considered technical restrictions or Digital Rights
Management (DRM) as the main for not doing so, with price coming
second.72
Those who had used web stores valued their ease of use and the
possibility to buy a single song instead of an entire album.73
Online stores have reacted by offering DRM-free downloads for
purchase. Market leader iTunes charged a 29 cent premium for
DRM-free tracks, but had to soon lower the price to the same level
as DRM tracks because of competition.74
Even though a lot has been done to satisfy consumers’ demand
for DRM-free products, the playing field is not even. While the
legal stores have to compete with inferior products with P2P
network’s restriction free formats, they are format wise in a
worse position.
The Digital Music Survey
suggested that the music companies should consider introducing price
discrimination, as 84 % of the respondents were of the opinion that
older downloads should be cheaper and almost half of the respondents
indicated willingness to pay more for newly released tracks.75
Web stores have tried out some new pricing methods with bundled
content.76
The pricing is not solely in the hands of web stores. A large
portion of the cost for downloads goes to collecting societies.
Collecting societies’ pricing is very limited as they are
acting under monopoly regulation. This means that all clients and
members must be treated equally which has thus far limited dynamic
pricing.
It seems apparent that it
is not enough to develop different kinds of pricing systems. On the
contrary, it is vital to seduce customers with convenient access to
a more diverse range of entertainment.77
Current web-based stores can be improved to enable attractive
features that are already available through file sharing services.
However, we suggest that there are even more attractive market
opportunities within reach. Tapping into consumer willingness to use
P2P sharing can provide additional income sources for rights owners.
Previous surveys show that price is definitely one of the key
advantages of file sharing. Almost 50% of the respondents in the
Swedish study regarding video file consumption answered that lack of
cost is the primary reason for downloading.78
On the other hand, 5% agreed somewhat to the statement that there
are no good alternatives available for filesharing.79
In the United States, Apple’s iTunes has taken steps toward
becoming a universal web store where users can download anything
from games to TV series. Finding a single source for extensive legal
media downloads in Europe has proved impossible. It appears that
illegal file sharing has managed to provide this service and users
are quite satisfied with the file sharing services.80
On this account we were interested in willingness to pay in the P2P
environment. The results were somewhat encouraging.
In our survey almost 80% of
the respondents were interested in, and almost 50% of the
respondents would be willing to pay monthly for, a service that
enabled unlimited music and video filesharing and downloading. In
contrast the majority is not at all interested in a corresponding
service with digital restrictions used on the files. In addition it
is noteworthy that over 50% of the respondents are interested in a
service that would enable converting single files downloaded from
P2P file sharing sites to legal files, however only some 20% would
be willing to pay for it. A free mobile phone P2P client program
received more interest than mobile phone music subscription service
with unlimited downloading.81
Fig. 10:
The following questions relate to services that require payment.
Please indicate, how interested you are in the following services
(The question is abbreviated from the original form presented to the
respondents).
When it comes to
willingness to pay it can be concluded that the traditional album
format is losing its value for digital consumers. In web stores
consumers are interested in buying single songs82
instead of entire albums, and in the P2P environment consumers are
interested in a single fixed fee (flat rate) for a service
regardless of the amount of use. This can be generalised in the
following statement: in web stores quality rules over quantity,
while in the P2P environment it is the other way around. In the
light of the core features of P2P downloading this is quite
understandable.
5. Conclusions and Discussion
5.1
Conclusions from the Survey
We
conducted the survey to get information about file sharing services
users’ attitudes to, and knowledge of, copyright law. We were
especially interested in how they perceive the chance of getting
caught and what factors affect the punishment/payoff valuation. The
data gives an overview of the file sharing community’s views.
The survey results show that P2P users are aware that they are
breaking the law and most people also consider illegal file sharing
morally condemnable. File sharers are aware of the punishments, but
the risk of getting caught were considered very distant. The
traditional method of tighter enforcement of harsher laws does not
seem to work. Amendments in the legislation and raising the level of
punishments have not had a noticeable impact on respondents’
file sharing. The new Copyright Act that has raised the penalty for
sharing files online to the level of involuntary manslaughter was
not considered proportionate. This suggests that raising the
punishments may not raise the deterrent effect. Copyright
enforcement is costly and easily creates negative PR, which draws
the file sharers further away from the rights owners’ camp.
Our data suggests that even the recent massive legal suits against
file sharers have only a minor impact on the file sharing community.
Even
though survey participants knew what constituted copyright
infringement, they had difficulties in recognising the legal uses of
works that copyright law permits. Rights owners have used public
money for copyright awareness campaigns but failed to inform the
public about fair use rights. Having balanced information that also
emphasises users’ rights for fair use would generate a more
balanced view of copyright law. This would most likely create a more
positive view of the legislation and make it more acceptable.
The
biggest payoff for the illegal file sharers was the immediate access
to a large catalogue of works which were available free of charge
and without DRM restrictions. The zero price was only one reason
among others as nearly half of the respondents were willing to pay
monthly for a service that enabled unlimited music and video file
sharing and downloading.
5.2
Discussion of Issues Arising from Survey
Legal web
stores have tried to adapt the features that file sharing has had
like sampling and MP3 format. Nevertheless the legal stores cannot
compete with their catalogue as film and TV industry likes to stick
to the tiered release of their works and some record companies are
not willing to sell tracks without DRM. This means that legal web
stores do not only have to compete with free but also otherwise
superior file sharing services.
Developing
new services and licensing models that would take advantage of the
P2P models could solve the problem. This would necessarily mean less
control for the record and film industries. Legalising file sharing
with compulsory licenses could tip the market equilibrium and would
most likely mean hard times for current web stores. Such new
innovative business models are necessary to solve the existing
market failure that illegal file sharing has generated. Opposition
from record industry and online stores would be likely but copyright
is meant to protect society’s ability to produce and consume
culture – not the intermediaries who distribute it.
The music industry has had
“rock
star economics”
where a few Britney Spears-type artists collect most of the
revenues.83
The concept of a “celestial jukebox” was introduced in a
1991 United States Copyright Office report.84
The celestial jukebox has every song ever released available through
digital technology. Having every work ever released available would
most likely change the music market.85
Wide selection in file sharing networks brings
more listeners to the long tail86
of obscure forgotten songs. At the same time it would not reduce the
rock star music consumption. Legal, unrestricted P2P file sharing
system would best approximate the long tail concept.87
Web stores are growing but their catalogue is still limited and they
may never reach the celestial jukebox status.
*
Researcher, Helsinki Institute for Information Technology and
Lappeenranta University of Technology School of Business. Research
partly funded by EU ‘P2P Fusion’ -project.
+
Researcher,
Helsinki Institute for Information Technology.
∞
Research Team Leader, Nokia
Research Center.
4
See also IFPI 2008 (See
note 1), at 18 (citing two studies that show decrease of buying
among file sharers).
5
F
Oberholzer-Gee and K Strumpf, “The effect of file sharing on
record sales: an empirical analysis” (2007) 115 The
Journal of Political Economy
1, at 1-2.
9
Later referred as 2007 HIIT P2P Survey or HPS.
11
S
Tavakoli, “Rörliga
Bilder 2007, MMS studie om konsumption på olika plattformar”
(2007). [Later referred as RB].
15
HPS, see note 4 (the
respondent’s average time to fill out the questionnaire was 13
minutes.).
16
HPS, see note 4 (94%
males 61% with a technical background 53% used file sharing networks
at least once a week).
17
Ibid (75%
of the respondents were 17-35 year old).
18
See e.g., CAN at notes 3 and 34.
21
HPS, note 4. (Have
you ever downloaded or shared files in P2P file sharing sites? Yes:
87 %, No: 13%).
24
See fig. 3. (the concept of 'first sharer' varies between different
P2P file sharing programs. In Bittorrent client programs the first
sharer can be of two kinds. First of all, a person who makes a
.torrent file and puts it into server could be considered as a first
distributor, also known as a first peer. Secondly, a person who
transfers the .torrent file to another server where it was not
previously available can be considered a first distributor).
25
HPS, note 4. (87%-77%=10%; 87% of the participants had
used P2P file sharing sites, 77%
of the
respondents had downloaded unauthorized music or videos from P2P
networks).
27
HPS, note 4 (Which
of the following ways have you used for downloading files?
BitTorrent
(e.g. Piratebay, Swebits, Finreactor) 77%
WWW sites (YouTube, MTV) 74%, FTP 57%).
28
Ibid. (Which
of the following ways have you used for downloading files? Direct
Connect DC 53%, Kazaa, limeWire, BearShare 40%).
29
Ibid. (Which
of the following ways have you used for downloading files? Symella
and symtorrent 1.3%).
30
Ibid. (How
frequently do you use P2P for sharing or downloading files?
Every day
17 %, Several times each week 23%, Once a week 12%, Once every two
weeks 8%, Once a month 11%, Once every six months or rarely 14%, I
have never used P2P 14%.).
37
See e.g., R Cooter & T Ulen, Law &
Economics, 4th
Ed (2004) at 445-477.
38
HPS, note 4 (As far as I understand the following actions are in
accordance with the law:
To download unauthorized music from P2P file sharing sites: Don’t
know 4%, No86%, Yes 10%.).
39
Ibid. (In my
opinion it is condemnable to download unauthorized files:
Don’t know 4.9%, Disagree 37.3%, Somewhat disagree 26.6%,
Somewhat agree 22.1%, Agree 9.1%.
In
my opinion it is condemnable to share unauthorized files: Don’t
know 4.8%, Disagree 19.3%, Somewhat disagree 21.2%, Somewhat agree
32.6%, Agree 22.1%.).
40
DMS, see note 8,
at 7 (survey suggests that consumers are less concerned about
prosecution than before).
41
HPS, see note 4. (The
probability to be caught at unauthorized P2P file sharing is smaller
than: Winning
the jackpot in lottery: No 55%, Yes 45%.).
42
HPS, see note 4 (The
probability to be caught of unauthorized P2P file sharing is smaller
than: Getting
caught shoplifting: No 10%, Yes 90%; Getting a parking ticket: No
12%, Yes 88%; Getting caught free riding on public transportation:
No 15%, Yes 85%; Getting caught not paying television license fee:
No 20%, Yes 80%.).
43
J Litman, Digital
Copyright (2006),
198-199.
44
IFPI, see note 34, at 18.
46
Ibid at 18 (the
average legal settlement in these cases was 2,420 €).
47
Ibid. (quoting as source:
Jupiter Research, Sep 2006: UK, France, Germany, Italy, Spain,
Sweden).
48
See note 43, at 198-199.
49
IFPI, see note 34, at 18.
52
See O R Goodenough and G Decker, “Why Do Good People Steal
Intellectual Property?” The Gruter Institute Working Papers on
Law, Economics, and Evolutionary Biology Volume 4, Issue 1 2006
Article 3
http://www.bepress.com/cgi/viewcontent.cgi?article=1017&context=giwp
(Arguing that property-related primitives are not readily recruited
and mobilized by concepts of intellectual property.)
55
HPS , see note 4. (According
to law large-scale P2P file sharing can lead to: The
file sharer can be fined: Don’t know 4%, No 3%, Yes 90%.
The file
sharer can be made to pay damages to right owners: Don’t know
4%, No 3%, Yes 92%; The computer of the file sharer can be
confiscated: Don’t know 5%, No 5%, Yes 90%.)
56
Ibid. As far as I
understand the following actions are in accordance with the law: To
download unauthorized music from P2P file sharing sites Don’t
know 4%, No 86%, Yes 10%.
58
Ibid. As far as I
understand the following actions are in accordance with the law: To
copy a TV program recorded by a friend: Don’t know 9%, No 36%,
Yes 55%.
59
Ibid. How
would you rate the following activities in comparison to the
large-scale file sharing? To copy a borrowed CD: don’t know
5%, less condemnable 38%, equal 48%, more condemnable 8%. See fig.
10: How would you rate the following activities in comparison to the
large-scale file sharing?
60
HPS, see note 4. (The
following statements relate to the usage of P2P file sharing: P2P
file sharing sites increase music sales. Don’t know 15%,
Disagree 14%, Somewhat disagree 20%, Somewhat agree 33%, Agree 19%.)
61
Ibid. (How
P2P usage has impacted your usage of the following Medias?
DVD-movies
purchased through internet (e.g. Amazon): Don’t know 4%,
Increased significantly 6%, Somewhat increased 13%, No impact 57%,
Somewhat decreased 3%, Decreased significantly 4%
CDs
purchased through Internet: Don’t know 3%, Increased
significantly 7%, Somewhat increased 15%, No impact 53%, Somewhat
decreased 4%, Decreased significantly 5%
DVD-movies
purchased from traditional store: Don’t know 2%, Increased
significantly 6%, Somewhat increased 18%, No impact 46%, Somewhat
decreased 9%, Decreased significantly 6%
CDs
purchased from traditional store: Don’t know 2%, Increased
significantly 6%, Somewhat increased 15%, No impact 51%, Somewhat
decreased 9%, Decreased significantly 4%
Going to
a movie theater: Don’t know 1%, Increased significantly 6%,
Somewhat increased 15%, No impact 51%, Somewhat decreased 9%,
Decreased significantly 4%
Renting
of movies: Don’t know 2%, Increased significantly 4%, Somewhat
increased 9%, No impact 50%, Somewhat decreased 12%, Decreased
significantly 10%
Usage
of portable media players (e.g. iPod): Don’t know 3%,
Increased significantly 24%, Somewhat increased 17%, No impact 40%,
Somewhat decreased 1%, Decreased significantly 1%)
and IFPI (see Note 34), at 4 (the
same seems to be true for legal downloads).
62
RB, see note 11, at 6 (study
found out that 4% of 16-30 year old respondents were following the
American series “Heroes” even though it was not
broadcasted or made otherwise legally available in Sweden).
63
Ibid at 4-5 (the
study found out that young mens use of TV had declined 13 % in four
years when at the same time womens use had increased somewhat. At
the same time males were using new platforms to gain access to
entertainment twice as much as women.)
64
HPS, see note 4 (The following statements relate to the usage of P2P
file sharing: There are works available in P2P file sharing sites
which are not available in digital download stores: Don’t know
8%, Disagree 3%, Somewhat disagree 4%, Somewhat agree 19%, Agree
65%.) See also Note 43, at 198-199. (Arguing that people are turning
to P2P services to get access to songs that are not available in
legal stores because of the licensing problems).
65
Ibid. (The following
statements relate to the usage of P2P file sharing: Through
P2P file sharing sites I can get to know new artists and music:
Don’t know 7%, Disagree 5%, Somewhat disagree 5%, Somewhat
agree 19%, Agree 64%).
DMS, see note 8,
at 11 (More
than half of the respondents of DMS used social networking sites
such as Bebo and MySpace to discover new music. And almost a fifth
of social network users said such discoveries had a “big/massive
impact” on the way they bought music and 30% claim they
“regularly/occasionally” buy CDs or downloads of music
that they discovered on a social network site.)
See
also W Fisher, Promises
to Keep
(2004) at 225 (sampling of new music and video files belongs
substantially to P2P usage as was suggested already in studies made
in 1999).
68
HPS, see note 4. See also fig.
8: (The following statements relate to the usage of P2P file
sharing. The files downloaded from P2P file sharing sites have often
poor quality: Don’t know 8%, Disagree 40%, Somewhat disagree
29%, Somewhat agree 19%, Agree 5%).
69
DMS, see note 8 (it
is noteworthy that there is 5% fall compared to year 2006 in DMS,
since in 2006 22% of the respondents answered that they are likely
to download tracks less often owing to the quality of unauthorized
files).
70
Ibid at 75 (reasons to Download Unauthorised More Often: Why are you
likely to download tracks more often from unauthorised file sharing
sites? Quality of the tracks is improving 10% (2007), 8% (2006)).
71
IFPI, see note 34,
at 4.
72
HPS, see note 4 (What reasons
have caused you not to use legal digital download stores?
The technical protection measures for music disturbs my
usage: Don’t know 6%,Disagree 5%, Somewhat disagree 3%,
Somewhat agree 13%, Agree 45%;
It is expensive to purchase from
digital download stores: Don’t know 5%, Disagree 8%, Somewhat
disagree 11%, Somewhat agree 22%, Agree 26%). DMS,
see Note 8,
at
20 (68 % of the DMS respondents who expressed an opinion conceded
that legal downloads are "Only worth purchasing if free of
DRM").
73
DMS,
see note 8,
at 17 (Results are in line with the Digital Music Survey, which
revealed that the perceived price advantage of legal downloads over
CDs had reduced 14% between 2006 and 2007.) See
also Andersen
and Frenz (Note 3), at 33 (finding
indirect evidence that price influences CD purchasing, as the
variable capturing the motivation to engage in P2P file sharing
because of the perception that CDs were too costly was negatively
associated with CD purchases).
74
“iTunes Plus Now Offers Over Two Million Tracks at Just 99
Cents” http://www.apple.com/pr/library/2007/10/17itunes.html
(“iTunes Plus has been incredibly popular with our customers
and now we’re making it available at an even more affordable
price”) Apple’s announcement came soon after Amazon.com
started selling DRM free MP3 format music at AmazonMP3 store,
http://www.amazon.com/b?ie=UTF8&node=163856011.
75
DMS, see
note 8,
at 17.
76
IFPI, see
note 34, at
16 (Madonna’s
latest album was released digitally with three price points in three
bundles, reaching numbers one, two and four in the iTunes chart,
with the most expensive bundle coming first.) See
also Radiohead’s
experiment with their “In Rainbows” record that was
downloadable at a user defined price at http://www.inrainbows.com/.
77
DMS, see note 8,
at 13-14 (the
DMS report suggests that live music webcasts might be an appealing
new income stream as 10% of the respondents were very interested and
prepared to pay for it, and 64 % were interested but not prepared to
pay).
78
RB, see note 11, at 59.
80
Ibid at 53 (P2P downloading was the most
popular way to download files) and id. 59 (More than half of the
respondents found that downloading is easy and flexible).
82
IFPI, see note 34, at 4.
83
See e.g., S Rosen, “The Economics of Superstars” (1981)
71 American Economic Review 845-58.
84
Register of Copyright, Report on Copyright Implications of Digital
Audio Transmission Services (1991).
85
Andersen and Frenz at note 3, at 33 (Canadian
study found indirect evidence of the ‘market creation’
effect of P2P file sharing in the positive coefficient on the
variable ‘Not available elsewhere’).
86
C Anderson,
The
Long
Tail
(2004).
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